Posted in Paintings in Progress

Higgily-Piggily Mindscape-an artwork in progress

jerusalem painting 2 cropped Here is a small study for a larger piece.  I’m wanting to keep it lean, avoid accumulation of extraneous detail and focus on atmosphere, light and a general feeling of spaciousness.  This one seems to suggest loss.

Shadowy forms step forward from the mists with a single swipe of the paint rag.  They appear in my dreams silhouetted against ancient fires, as if to demand I attend to their their melancholy plight wandering the in-between.

The memory practice is working.  I went from recalling no dreams at all, to writing 5 pages this morning. These seem to have associations with the art project, “real” life, and offer encounters with Asiatic shamans in crazy hats who get on my case for some vague act of forgetfulness.

The intent to work with the spontaneous flow of dream imagery-the attempt to bring unconscious content into the light of day-involves a confrontation with subject/object paradox.    Who is doing the observing?  Who is observed?  Looking inward brings up thorny issues about perception and reality that artists have been struggling with since Cezanne, and which mystics have explored for centuries.

jerusalem painting 3 cropped  How needing of compassion are the ignorant and the deluded, bound in this confining dungeon of egotistical attachment and the subject-object dichotomy…

The Tibetan Book of the Dead

Blake saw his brethren bound in this dungeon, and sang of fallen Albion held in thrall to the satanic, scientific-materialism that set man apart from nature, charity and the Heaven within himself.

Posted in Paintings in Progress

The Memory Theatre-a Reprieve

DSC02850memory stations 10 tree
First memory station

In his wonderful book,  Little Book of Dreams,  Robert Bosnak says that the best way to enhance dream recollection is the classic memory practice.   This is important for many reasons.  Here’s one:

In a dream I was given a slip of paper on which was written the word HEARTNET.  The image was very clear and when I told Lily of the dream the next day, she suggested I google it.  It turned out to be a heart health website.

Taking this as a sign, I had a checkup and found my cholesterol levels dangerously high.  I became resolved to clean up my act and extend my life.  It gave  me a reprieve.

Tibetan Buddhist teachers say that the ability to consciously enter the dream state-lucid dreaming-is a good way to prepare for the bardo after death.

As I am not ready to face the bardo’s dangerous pathways, attending to the dream message allowed me more time to cultivate the qualities of compassion and wisdom that help to ease the transition.  This, it is said, increases the possibility of a favorable rebirth.

 

DSC01792blakes painting teacher
Blake’s painting teacher, from his visionary heads series

I was thinking of Blake’s vision of Jerusalem as a Golden city of peace, love and harmony that, at some timeless time, was “on England’s pleasant pastures seen.”  Did such a city exist in prehistory? 

Then I read this in Eva Wong’s commentary in the Hui-Ming Ching (Cultivating the Energy of life:)

  When we are in our mother’s womb, we were filled with the primordial energy of the Tao.  In the natal state, original nature and the energy of life are united.

At birth we come into contact with the world.  When air is inhaled through the nostrils, the primordial breath is contaminated and the connection with the Tao is broken.  Original nature and life energy separate, the former moving to the heart and the latter moving to the kidneys.

Posted in Paintings in Progress

The Memory Theatre-an artwork in process

I’ve made some memory stations and begun the memory practice.  Maybe I’ll try to memorize Jerusalem (at least parts of it) by William Blake.  The organization of the space and creating the stations is not separate from the work of sketching out the composition on the canvases.  The placement and spacing are important. DSC02838memory stations 3

I imagine the paintings might take the form of a still life that opens onto a vast landscape. Blake had a vision that beheld the universe in a grain of sand, infinity in an hour and the celestial city built on the rolling green English countryside.  I want my art to share some of this all-encompassing perspective.

The fields from Islington to Marybone,

To Primrose Hill and Saint John’s Wood,

Were builded over with pillars of gold,

And there Jerusalem’s pillars stood.

I’ve found that memory practice leads to amazing experiences.  It is a way to attune to subtle influences and bring to conscious awareness the too-often suppressed messages from the unconscious.  In her brilliant book, the Art of Memory, Frances Yates quotes Cicero’s recollection of the poet Simonides, who was said to be inventor of the memory art:

…persons desiring to train this faculty (of memory) must select places and form mental images of the things they wish to remember and store those images in the places, so that the order of the places will preserve the order of the things, and the images of the things will denote the things themselves, and we shall employ the places and images respectively as a wax writing-tablet and the letters written on it.

DSC02844memory stations 9 white

Posted in Musings

Them Spambot Babes

The initial excitement of seeing that I’ve accumulated another 5 followers of my blog today is quickly dampened when I find their blogs mostly free of content. Some consist only of fashion photos.  Why they feel this subject is of interest to me is perplexing. My fashion sense has of late (and Lily might concur in this) suffered a tragic lapse into epic shabbiness and left my wardrobe in a woeful state of entropy. Perhaps news of my slovenly demeanor has reached beyond these shores, and even the fashionistas of foreign lands hope to rehabilitate my wretched wardrobe. I can only be touched by their concern for my well-being.

Others seem to advertise dentists and food processors from the exotic paradise of Jakarta. While I don’t doubt such devices may make my modest culinary efforts more palatable, I wonder if they really hope I may travel to that exotic Indonesian archipelago to purchase one directly-or that I may visit the eager dentist after cracking my teeth on the unground remnants of the latest labor-saving gizmo.

I am saddened to discover that their blogs seem unsullied by the corrupting influence of  humanity-that there appears no sign of actual human content at all.

Could these “followers” be the fabled spambots who infect the blogosphere with their vacuous sites in order to steal what meagre audience we real, earnest bloggers have?

Some seem tailored to my own interests. Others seem to feature computer generated poetry along with the earnest Gravatar of some attractive, female, aspiring writer seeking imaginary gain or some vaguely stated desire for my  attention. I ponder the possibilities of such relationships. But then again, Lily might object to my courting spambot babes, real or otherwise.

This state of affairs seems to pervade the blogging experience more and more. It leads me to wonder what the future of blogging may be like when computer generated sites completely take over the blogosphere and all  human error has been eliminated. They can then interact automatically with one another in binary code, multiplying endlessly, stealing each others automated audience without the need for such encumbrance as punctuation, grammar or spelling. All blogging could continue without making demands on our precious time and attention, free of obscure metaphor and existing in an unadulterated  state.  It would abide in the realm of Platonic ideas where everything is clear precise and soulless.

Posted in Saturnius McWhirr stories, Uncategorized

The Galvanized Emblem of McWhirr

“ Gusts up o 70 miles per hour are possible.”

The bland, melancholy voice on the NOAAH weather radio intoned the dread prophesy with all the passion of a jaded, Norwegian automaton.

Bagpipes wailed over the anchorage at sundown and the grim sight of the northern horizon almost made me cry.  Clouds billowed white over the eastern Straits while, below, the horizon fell into the blackest gloom that ever haunted the nightmares of sinful, erring tars.

I had read in The Complete Anchoring Handbook that it all comes down to the right ratio of depth to scope of anchor rode.

50 feet times 5 make 250…good enough for a Coney Island swan boat.

I went below to lie on the pilot-berth. After a few fitful gusts, the wind fell into a tentative, uneasy calm.

Let’s see, 5 to 1 in 50 feet times…

“Have you paid out enough scope, lad?”

The bass tones welled from Old Hand’s bilges as from the aged, bronzed vessel of oxidized words.

“Captain?”

The angular form of Saturnius McWhirr was faintly illumined by the oil-lamp’s amber glow.

“I cast the anchor in 8 fath…” I stammered

“Avast, Ya greenhorn! You don’t “cast” anchors. This isn’t fly-fishing! My gorge rises at such lubberly misuse of sailing language.”

His wrath, like a line-squall, subsided as rapidly as it came.

“Did you know that to raise an anchor you must first let it go?”

“That’s true, sir.”

He always makes these pithy pronouncements like they were scripture.  And, for McWhirr the act of sailing is a religious rite. He hails from Zoroastrian, Quaker stock and, for him, a ship is a vessel to carry his weary spirit ascending through the 7 concentric spheres of corporeality to the final landfall of essential being. He has seen the beatific vision reflected on the sea’s mirror, and it draws him ever northward in search of the true face of divinity behind the mask of appearance.

“Look at this arm.”

Like some cloaked tragedian in a nautical horror show, he furiously tore his sleeve to reveal the tattoo of an anchor engraved upon his sinewy fore-arm.

“I carry the fouled, cold-forged, emblem of hope engraved upon my soul.”

He leveled his eye at me as thunder rattled the wheelhouse windows.

“Have you any family, Mister Spencer?”

“Yes.”

“Do they weigh upon your heart; do you feel their woes as your very own?”

I was too unglued by his interrogatory glare to answer.

“Are you willing to set aside your pleasant, little cruise to do service if called upon?”

“I don’t know if I’d call it a pleasant cruise with this weather.” I said defensively.

“Would ya be able to leap into the maelstrom to save a foe?”

“If I had a PFD,” I answered lamely.

He fell into deep silence. His spectral image receded into the oaken bulwarks of unfathomable woe.

“Then you are no shipmate of mine,”   Said the fading echo of his baritone.

From the infinite distance came a low, thrumming tone that set halyards frapping on the mast. The sound rose steadily to a piercing shriek-as if all the denizens of hell had let loose one frenzied howl of pain.

Old Hand skewed violently in the blast.

I rose from my bunk, put on my foul weather gear and ascended the foredeck.

Let’s see 50 x 10 = 500…that’s 10 to 1…for 85% holding power…

Not bad odds.

Posted in Old Hand's northern voyage, Uncategorized

The Angel of Pole Pass

DSC02659log page pole pass

We left Jones Island with the start of the ebb on a calm, overcast morning and headed south-east toward our first way point at Steep Point on Orcas Island’s East side. I’d plotted our course through one of the San Juan Island’s most treacherous passages the day before. Our track was to take us into the middle of the labyrinthine Wasp Islands, through Harney Channel to East Sound in time for our dance. I’d cross-referenced Captain Jack’s and the Canadian Currant Atlas and, with a sharp pencil, drawn our course on the chart with the way points and estimated arrivals times.

I was actually a bit proud of my fore-sight, and hoped it might inspire in Lily a greater trust in my navigational skill. Lily had given me a T-shirt that said sharp and focused. Maybe she thought it might help.

When we reached Steep Point, the next way point appeared on the GPS screen directing us somewhere south-west into some nasty-looking rocks. Since our intended track was south-east, I knew something was wrong. Major anxiety set in.

The ebb was taking us east past a small Island to starboard, while ahead a few miles, was a small opening toward which a sailboat was motoring.

At Lily’s suggestion (she was remaining unusually calm in all this,) I followed. As we neared, the pass actually appeared smaller. A torrent of green water flowed over the jagged rocks to starboard, when suddenly I saw a woman in the cockpit of a C-Dory next to us beckoning with a reassuring look and a gentle movement of her arms.

Samuel Lewis

I’d gotten only a fleeting glimpse of her, but her radiant image will forever be etched in my memory. The waving motion with which she guided us rocked with her boat like a movements of a Sufi Zikr. It was an angelic vision guiding Old Hand’s errant crew through the twisted channels of the world toward salvation; to chasten pride of seamanship and forgetfulness of the true purpose of our voyage-of which we might lose sight while navigating the labyrinthine island passes.  Though our “navigation” of Pole Pass may have been unintentional, it reminded me of our deeper intention.

After all, we are emissaries of the Dances of Universal Peace, come to bring the message of unity as taught by Hazrat Inyat Khan and Samuel Lewis-to bring the wisdom traditions of all faiths into full body awareness through the ancient tradition of sacred dance.

Thank you bright Angel of Pole Pass. For you there shall always be an honored page in the tattered log of Old Hand.

Posted in Old Hand's northern voyage, Uncategorized

Reef-net fishing

The sky turns red/orange over the hills west of Fisherman Bay.

I row out to the narrow finger of rock that protects the entrance, to photograph the rough-hewn, skeletal remains of reef-net boats along the shore.

They say Reef-netting is one of the oldest forms of fishing. In ancient times, fishing was continuous with the sacred traditional ceremonies.  These ceremonies were held with elaborate theatrics.DSC02519reefnet 5

The simple act of fishing was performed with a cherished respect for salmon spirit that ensured their annual return. Everyday life was interwoven with the sacred like the twisted, cedar bark nets they so cunningly wrought and watched over through the centuries.

A reef-netter still floats by the western shore, its tall, stark ladder inverted upon the surface of the bay.

The water’s surface is the boundary, the imaginal space between worlds of height and depth. The sinuous patterns that shimmer over it’s surface are reflected in the curvilinear shapes of Salish art. It evokes the intermediate realm of dreams and myth; a place not found among the mystic way points of GPS. It is where the first salmon people hied up the narrow channels with the flood and into human consciousness.

On reef-netters, the watcher (in earliest times, the tribal chief) would ascend the rough, cedar ladder high above the bow and intone the quiet prayer honoring the annual return of the salmon.

While rowing in, I seem to hear an old diesel engine that drums faintly over the the inland sea like the rhythm of the universal heartbeat. Or is it the spirits of dead fishermen still drumming over the waters?

Welcome, Swimmers.

Upon seeing the salmon enter the net below, the robed and cone-hatted watcher, stark against the red sky, sings to his mates below:

Lift, lift.DSC02539reefnet bow

As one, the crew raises the net, the catch glistens in fading sunlight

Welcome, Brothers.

These old songs are sung in another place than that found on the yellowed, dog-eared charts of linear time. The primordial drama is still re-enacted upon the weathered scaffold of artifice in the winter dancing houses of ancient memory.

Posted in Old Hand's northern voyage

Septemptrionic Voyage

DSC02497

In the mid 70’s I had a studio in Eugene. Nearby was a pioneer cemetery where stood a tall, gray weathered tomb which housed an early patriarch of the Oregon Territory named Septembus Spencer.   While I won’t deny my memory may embellish the facts, this outlandish moniker has stayed with me all these years. Now I find that one of Willamette valley venerable line of Spencers had made his way further north to this stormy spit on Lopez Island’s east shore.

As though by a master sculptor’s hand, Equinoctial storms have carved cyphers into the rough stonework of the storehouse.  Apples still fall from the trees he planted on the grassy knoll.

Septembus comes from Septentrio, which is Latin for North.

On this gravel spit formed with perfect symmetry by alternating currents are seen middens of a tribal fish camp that had been used for over 3,000 years.

Though I bear no relation to the Eugene and Lopez Spencers, I find it strange to arrive at the most northern outpost of those Northwest settlers-that venerable line whose family tomb I saw in my earlier days. It is their most, so to speak, Septentrionic point.

I take heart in knowing that the same northern, wayfaring spirit calling us toward these enchanted Isles inspired the peregrinations of T. W. Spencer-that the same pole star he set his course by is the way point toward which Old Hand shapes her course.

DSC02499

I was taught by a Cowlitz elder that the cardinal directions are more than physical points on the compass, but spiritual states which must be embarked upon with full awareness of all their various qualities.

Black Elk once said the center of the world was Harney  (was this the same hawkish general who tried to incite war with England over a dead pig?) Peak in South Dakota.  Black Elk went on to add that the center is everywhere. It’s the same awareness that lead Jesus to sing to his round-dance on his crucifixion eve:

“The universe is inside the dancer.”

The tide flows into the lagoon at full flood like the rushing green flow of the Willamette River by which I sat staring so long that, when I rose, the solid banks seemed to move with the same fluid motion as the water.

The sacred land is everywhere-is already won. It is somewhere in Harney Channel (Harney again!) The Center is in the old Odd fellows Hall on Orcas Island where we hold our Dance of Universal Peace on this Sunday. The universe revolves around Old Hand’s keel as we voyage to the spiritual state of North; to honor the wisdom teachings of all faiths that ever points us toward the true polestar.

Posted in Old Hand's northern voyage, Uncategorized

Old Hand’s voyage to the San Juans 3

Lily and I have been making flyers and organizing our September 22nd Dance of Universal Peace in East Sound, Orcas Island.  Our voyage has a direction beside that which the winds take us.

From the vantage point of the Doctor’s Office coffee shop (it was an actual doctor’s office), I watch all manner of craft and float planes enter and depart Friday Harbor.  Old Hand lies anchored in 9 fathoms off the Oceanographic laboratories on the north east shore.

We are leaving later today for either Spencer Spit or Fisherman’s Bay on the north end of Lopez Island before our event.  it’s not really our event, but  part of a tradition-a spiritual community that exists all over the world.

Here’s Lily leading a song/dance she wrote based on the Amitabha meditation.  I may have gotten a little to free with the effects, but you can maybe get the jist of it.

Error
This video doesn’t exist
Posted in Paintings in Progress

Raven Visitation

raven windowraven window

I’ve gotten to work on my November art show, beginning with an image inspired by an encounter with raven.

In waking life, while walking in the forest I heard the a rush of a raven’s wings beating the air overhead.

Later, the same sound woke me from sleep. The clear call pierced my dream and I suddenly woke  in my bedroom with nary a raven in sight and the doors firmly shut against intruders.

A visitation, a call? The light-bringer moved between worlds with a sign for me to to transpose into the language of art.

So this is where the work comes in.   It is a Art Deco stained glass window motif I thought appropriate Raven’s boundary-crossing spirit.  It is a spirit that, as James  Fielden puts it in his beautiful post,  A Lapse of Time, “pushes against the edges of mystery.”