Posted in Paintings in Progress

The Memory Theatre-Idea for my Febuary art exhibition

My next art show is coming up soon.  My idea is inspired by the Memory Theatre. This is an ancient mnemonic device used by actors and rhetoricians to commit long speeches to memory. The memory places are niches, or altars that contain imagery (the more outlandish the better) that facilitate recollection of the text. In ancient times, these features were incorporated into the design of theatres.

My idea is to make this part of the process of creating the work for my show. I’ll start with the basics: clean up my studio and create a series of 10 altars which I will decorate with whatever imagery will facilitate recollection of a long poem. At the same time I’ll prepare 10 canvases which will correspond with each of the memory stations. These paintings will comprise the exhibit.

I haven’t decided on a poem yet but maybe one of William Blake’s medium-length works will serve. This memory process will be concurrent with the creation of 10 paintings inspired by each of the memory stations.  The art show’s theme will be continuous with the theme of the poem.

The whole process from straightening out the studio to “completion” of the paintings will be documented in this blog with photos, text, video and recordings. Stay tuned.

Posted in Paintings in Progress

Studio Update 2

vickers cropped 10-13vickers 10-13 cropped DSC02808fall colors 10-13 croppedHere are a couple of paintings I’ve been working on for my November exhibit.  The top one is my first version of the Vicker’s memorial in Kane cemetary.

One of the most difficult things in painting is knowing when to stop, and maybe that time passed long ago. But I have another version which I began when I’d given this one up for lost.

The second one I just began.  The colors outside the studio window are more vibrant than I could ever hope to capture in paint.  It’s still a work in progress, though the show goes up in 3 days.

Posted in Musings

Them Spambot Babes

The initial excitement of seeing that I’ve accumulated another 5 followers of my blog today is quickly dampened when I find their blogs mostly free of content. Some consist only of fashion photos.  Why they feel this subject is of interest to me is perplexing. My fashion sense has of late (and Lily might concur in this) suffered a tragic lapse into epic shabbiness and left my wardrobe in a woeful state of entropy. Perhaps news of my slovenly demeanor has reached beyond these shores, and even the fashionistas of foreign lands hope to rehabilitate my wretched wardrobe. I can only be touched by their concern for my well-being.

Others seem to advertise dentists and food processors from the exotic paradise of Jakarta. While I don’t doubt such devices may make my modest culinary efforts more palatable, I wonder if they really hope I may travel to that exotic Indonesian archipelago to purchase one directly-or that I may visit the eager dentist after cracking my teeth on the unground remnants of the latest labor-saving gizmo.

I am saddened to discover that their blogs seem unsullied by the corrupting influence of  humanity-that there appears no sign of actual human content at all.

Could these “followers” be the fabled spambots who infect the blogosphere with their vacuous sites in order to steal what meagre audience we real, earnest bloggers have?

Some seem tailored to my own interests. Others seem to feature computer generated poetry along with the earnest Gravatar of some attractive, female, aspiring writer seeking imaginary gain or some vaguely stated desire for my  attention. I ponder the possibilities of such relationships. But then again, Lily might object to my courting spambot babes, real or otherwise.

This state of affairs seems to pervade the blogging experience more and more. It leads me to wonder what the future of blogging may be like when computer generated sites completely take over the blogosphere and all  human error has been eliminated. They can then interact automatically with one another in binary code, multiplying endlessly, stealing each others automated audience without the need for such encumbrance as punctuation, grammar or spelling. All blogging could continue without making demands on our precious time and attention, free of obscure metaphor and existing in an unadulterated  state.  It would abide in the realm of Platonic ideas where everything is clear precise and soulless.

Posted in Saturnius McWhirr stories, Uncategorized

The Galvanized Emblem of McWhirr

“ Gusts up o 70 miles per hour are possible.”

The bland, melancholy voice on the NOAAH weather radio intoned the dread prophesy with all the passion of a jaded, Norwegian automaton.

Bagpipes wailed over the anchorage at sundown and the grim sight of the northern horizon almost made me cry.  Clouds billowed white over the eastern Straits while, below, the horizon fell into the blackest gloom that ever haunted the nightmares of sinful, erring tars.

I had read in The Complete Anchoring Handbook that it all comes down to the right ratio of depth to scope of anchor rode.

50 feet times 5 make 250…good enough for a Coney Island swan boat.

I went below to lie on the pilot-berth. After a few fitful gusts, the wind fell into a tentative, uneasy calm.

Let’s see, 5 to 1 in 50 feet times…

“Have you paid out enough scope, lad?”

The bass tones welled from Old Hand’s bilges as from the aged, bronzed vessel of oxidized words.

“Captain?”

The angular form of Saturnius McWhirr was faintly illumined by the oil-lamp’s amber glow.

“I cast the anchor in 8 fath…” I stammered

“Avast, Ya greenhorn! You don’t “cast” anchors. This isn’t fly-fishing! My gorge rises at such lubberly misuse of sailing language.”

His wrath, like a line-squall, subsided as rapidly as it came.

“Did you know that to raise an anchor you must first let it go?”

“That’s true, sir.”

He always makes these pithy pronouncements like they were scripture.  And, for McWhirr the act of sailing is a religious rite. He hails from Zoroastrian, Quaker stock and, for him, a ship is a vessel to carry his weary spirit ascending through the 7 concentric spheres of corporeality to the final landfall of essential being. He has seen the beatific vision reflected on the sea’s mirror, and it draws him ever northward in search of the true face of divinity behind the mask of appearance.

“Look at this arm.”

Like some cloaked tragedian in a nautical horror show, he furiously tore his sleeve to reveal the tattoo of an anchor engraved upon his sinewy fore-arm.

“I carry the fouled, cold-forged, emblem of hope engraved upon my soul.”

He leveled his eye at me as thunder rattled the wheelhouse windows.

“Have you any family, Mister Spencer?”

“Yes.”

“Do they weigh upon your heart; do you feel their woes as your very own?”

I was too unglued by his interrogatory glare to answer.

“Are you willing to set aside your pleasant, little cruise to do service if called upon?”

“I don’t know if I’d call it a pleasant cruise with this weather.” I said defensively.

“Would ya be able to leap into the maelstrom to save a foe?”

“If I had a PFD,” I answered lamely.

He fell into deep silence. His spectral image receded into the oaken bulwarks of unfathomable woe.

“Then you are no shipmate of mine,”   Said the fading echo of his baritone.

From the infinite distance came a low, thrumming tone that set halyards frapping on the mast. The sound rose steadily to a piercing shriek-as if all the denizens of hell had let loose one frenzied howl of pain.

Old Hand skewed violently in the blast.

I rose from my bunk, put on my foul weather gear and ascended the foredeck.

Let’s see 50 x 10 = 500…that’s 10 to 1…for 85% holding power…

Not bad odds.

Posted in Old Hand's northern voyage, Uncategorized

The Angel of Pole Pass

DSC02659log page pole pass

We left Jones Island with the start of the ebb on a calm, overcast morning and headed south-east toward our first way point at Steep Point on Orcas Island’s East side. I’d plotted our course through one of the San Juan Island’s most treacherous passages the day before. Our track was to take us into the middle of the labyrinthine Wasp Islands, through Harney Channel to East Sound in time for our dance. I’d cross-referenced Captain Jack’s and the Canadian Currant Atlas and, with a sharp pencil, drawn our course on the chart with the way points and estimated arrivals times.

I was actually a bit proud of my fore-sight, and hoped it might inspire in Lily a greater trust in my navigational skill. Lily had given me a T-shirt that said sharp and focused. Maybe she thought it might help.

When we reached Steep Point, the next way point appeared on the GPS screen directing us somewhere south-west into some nasty-looking rocks. Since our intended track was south-east, I knew something was wrong. Major anxiety set in.

The ebb was taking us east past a small Island to starboard, while ahead a few miles, was a small opening toward which a sailboat was motoring.

At Lily’s suggestion (she was remaining unusually calm in all this,) I followed. As we neared, the pass actually appeared smaller. A torrent of green water flowed over the jagged rocks to starboard, when suddenly I saw a woman in the cockpit of a C-Dory next to us beckoning with a reassuring look and a gentle movement of her arms.

Samuel Lewis

I’d gotten only a fleeting glimpse of her, but her radiant image will forever be etched in my memory. The waving motion with which she guided us rocked with her boat like a movements of a Sufi Zikr. It was an angelic vision guiding Old Hand’s errant crew through the twisted channels of the world toward salvation; to chasten pride of seamanship and forgetfulness of the true purpose of our voyage-of which we might lose sight while navigating the labyrinthine island passes.  Though our “navigation” of Pole Pass may have been unintentional, it reminded me of our deeper intention.

After all, we are emissaries of the Dances of Universal Peace, come to bring the message of unity as taught by Hazrat Inyat Khan and Samuel Lewis-to bring the wisdom traditions of all faiths into full body awareness through the ancient tradition of sacred dance.

Thank you bright Angel of Pole Pass. For you there shall always be an honored page in the tattered log of Old Hand.

Posted in Old Hand's northern voyage, Uncategorized

Reef-net fishing

The sky turns red/orange over the hills west of Fisherman Bay.

I row out to the narrow finger of rock that protects the entrance, to photograph the rough-hewn, skeletal remains of reef-net boats along the shore.

They say Reef-netting is one of the oldest forms of fishing. In ancient times, fishing was continuous with the sacred traditional ceremonies.  These ceremonies were held with elaborate theatrics.DSC02519reefnet 5

The simple act of fishing was performed with a cherished respect for salmon spirit that ensured their annual return. Everyday life was interwoven with the sacred like the twisted, cedar bark nets they so cunningly wrought and watched over through the centuries.

A reef-netter still floats by the western shore, its tall, stark ladder inverted upon the surface of the bay.

The water’s surface is the boundary, the imaginal space between worlds of height and depth. The sinuous patterns that shimmer over it’s surface are reflected in the curvilinear shapes of Salish art. It evokes the intermediate realm of dreams and myth; a place not found among the mystic way points of GPS. It is where the first salmon people hied up the narrow channels with the flood and into human consciousness.

On reef-netters, the watcher (in earliest times, the tribal chief) would ascend the rough, cedar ladder high above the bow and intone the quiet prayer honoring the annual return of the salmon.

While rowing in, I seem to hear an old diesel engine that drums faintly over the the inland sea like the rhythm of the universal heartbeat. Or is it the spirits of dead fishermen still drumming over the waters?

Welcome, Swimmers.

Upon seeing the salmon enter the net below, the robed and cone-hatted watcher, stark against the red sky, sings to his mates below:

Lift, lift.DSC02539reefnet bow

As one, the crew raises the net, the catch glistens in fading sunlight

Welcome, Brothers.

These old songs are sung in another place than that found on the yellowed, dog-eared charts of linear time. The primordial drama is still re-enacted upon the weathered scaffold of artifice in the winter dancing houses of ancient memory.

Posted in Old Hand's northern voyage, videos

East Sound storm

Lily hurt her foot when we docked at East Sound for our dance.  Then yesterday, a storm blew up from Southeast, blowing a good 35 knots with gusts to 40.  Old Hand took a hammering at the public dock while Lily lay below getting seasick.  But the local EMT team were there in no time to get her off the boat, up to the nearby Oddfellows Hall where we had a wonderful event despite Lily’s injury.  It was a sweet circle praying for peace in this stormy world.

Posted in Musings, Old Hand's northern voyage

Maybe I’ll write about the Sea

studio etc 016

I rebed pad eyes by day and rewrite the wandering craft of my prose after dark.

Our plan is to leave September 5th on the new moon-the time propitious for undertaking our voyage north through Saratoga Passage, by way of the Swinomish Channel, to the funky wharf town of La Conner.  We then cross Rosario strait into the San Juan Islands.

I paint the deck a battleship gray that colored my 50’s childhood with visions of martial efficiency projected in the gaunt, strident scenes of the Great War.

I read Look Homeward Angel, marveling at the luscious prose. Who are these characters that populate Thomas Wolf’s stories? The stone carver, grave ornament maker, who had an Angelic vision as he chugged west to die among granite hills.

O lost!

The refrain Is heard throughout the story-as if our prodigal hero was born lost in this juicy world whose co-ordinates had been firmly laid with ancestral rites and arcane laws of property.

I’ll bring back McWhirr to tell of the Sea.  I miss the old guy during long spells of writer’s block-as if he were my inner navigator admonishing me to hold a steady course through the endless watches over the dim sea. It is his Saturnine compass that scribes the boundary of possible outcomes. Only his stentorian oaths can direct the wandering track of my narrative along a course that is true.

As the wind freshens, strange voices call my name. A woman’s voice beckons over the slimy, creaking sea, and vanishes when I turn to hear.   It’s as if she called softly from in the groaning, weathered piles that sway with the tides; when I least expect a visitation from the other world.

I hear faint drumming that-like a star that is seen only peripherally-falls silent when I listen.  Are they ghostly drummers chanting over the bright waters of Port Madison on a moonlit night. Grandfather said their voices still sound over the waters, calling from the other shore.  Haya, haya, haya-the song carries on the cool breeze.

How does my own story fit in here? How woven into the warp of necessary fiction?  Shadows ebb blue violet as blackness rakes the mudflats between two tides-between two lights. Raccoons paw the foreshore where starfish glow.   A heron is perched on Reah’s dockhouse like he owned the place.

I change writing pads so my crimped hand may expand in florid loops beyond the web of type-into fictional streams that draw me toward a vague landfall in some maritime dream of adventure.  I’ll write about the sea, about Old Hand’s tortuous passages into far reaches of the Skagit Channel. As ensign of our great endeavor, we shall festoon the masthead with laurel, and call upon the gods to bless our voyage. It is toward the faint sound of chanting drums that we set our course, toward an ever-receding song dimly heard from the north.

Posted in Paintings in Progress

All that is Golden- The Sun Standard

It’s hard to say why we are struck by certain images.

20 years ago I did a painting inspired by a dream of a bullfight. Bullfight ticket sellers ask their customers: “el sol o la sombra? Meaning: “do you want seats in the sun or the shade?”. As the sun passed, the shaded seats commanded a higher price. This fluid standard seemed a true valuation system because of it’s cosmic scope. It might be called the Sun standard.el sol o sombre

Gold and Sun are symbols that announce a new age ruled by the truest of values-that which emerge from the human heart.

In this Spanish interrogative I hear echoed the ancient Mithraic conflict between the Light of Glory and Ahrimanic Darkness. This is a drama which transcends religious history, learned judgments about dualism, and my own, personal revulsion at an act of cruelty.

The arena is a mandala-a microcosm.  The ritual killing it sanctifies has echoes throughout the cycles of history as an archetype-one that charges a brutal spectator sport with religious energy.  it is the reenactment of the primordial victory that ensures the perpetuation of the world.

In his book, Spiritual Body and Celestial Earth, Henry Corbin uses the striking  image of the progersso harmonium to describe the relationship between Shi’ite Islam and the earlier Mazdianism religion. The relation is not the  linear view of religious history by which  fundamentalists of all faiths are bound, but the fundamental tone, the timeless Truth to which all religions are ultimately traced.  It is ever present, running throughout time like a basso profundo under the higher registers of the octave.

To pass from one octave to another is not the same as to pass from one date in time to another, but is a progression to a height or pitch that is qualitatively different. All the elements are changed, yet the form of the melody is the same. Something in the nature of harmonic perception is needed to perceive a world of many dimensions.

So midway between the darkness of uncertainty and the light of inspiration, I revisit a related image, the altar. I set the stage with a yellow/orange ground. I want to hone my harmonic perception that I may realize my theme in a higher register, one that captures it’s elusive quality.day of dead altar

It now becomes  an altar for the Day of the Dead. On it I place my mother’s ashes, the tattered image of dad, and all loved ones who’ve left the arena of life. Here is the true value-the measure of all that is Golden.