The Bay of Fundy
The Troll Revolt of 2020
Act 2, scene 1–The RT gala, Moscow, the Future.
The 20th annual gala for the Russian news program, Russia Today, is held in a massive media complex, attended by big shot oligarchs, Russian intelligence, and a legion of scoundrels bent on fortune, fame, and their fair share of Reality.
Announcer: Welcome to our celebration of Russia’s greatest contribution to the intellectual and spiritual heritage of western civilization: Fake reality. We have, as special guest, the most august and perrenial brand of all time, the soul of Rudolf Gulliani, in whose honor we present the following program–the Moscovite Butoh Trolls reenactment of the great troll revolt. This bleak episode of our nation’s history, so handily quashed by the superior messaging of our great leader, marked a turning point in the history of Russian culture. Well we remember that dark day when, incited by the American propaganda apparatus, the once faithful troll workers stupidly rose against the beneficent ministrations of the state and presumed to create their own reality. Such presumption was soon quelled in the final, virtual standoff between fact and fiction.
The Damnation of Drumph
Opera storyboard–Damnation of Drumph continued. The libretto is being structured along the lines of Seven against Thebes by Aeschylus and the Tibetan Book of the Dead. Both offer a mandala structure wherein malign spirits/afflictions are countered by their corresponding wisdoms. The southern gate of the citadel/temenos is besiged by greed, and defended by its antidote, charity. At the northern gate, the spiritual form of Justice battles it’s nemisis. This structure originates in ancient memory systems worldwide, and is a pedantic admonition as well as key to an ancient, esoteric knowledge. Blake said we should attribute sin not to individuals, but to spiritual states. This brings us back to Drumph, whose occupancy of the Whitehouse is an ambiguous limbo–both protection from Justice as well as incarceration itself. The images are drawn from Giotto’s Virtues and Vices in the Arena Chapel. Only after photographing the collage did I recognize it’s resemblance to a Tarot spread.
The Entombment of Drumph–Storyboard continued. Malignia’s lament echoes over the Bedminster Cemetary, haunting the gravedigger’s toil. Manuel sings of the old days when the tremendous tomb of Drumph was being raised high above the 18th green, and the townsfolk grieved under the oppressors yoke to produce the ultimate reality show–Death. But who can emerge unscathed from the Plutonic realm?
Is bird augury really fake news?
Drumph is building a tremendous crypt above the 18th green at his Bedminster Golf course with financing from Russian oligarchs. He calls a meeting where the Saudis express interest in exclusive burial plots. The tremendous Drumph Tomb is shown–bottom left–to the assembly. But Tiresias enters to proclaim disquieting omens regarding the end of the ancient Drumph line.
Russia, if you’re listening–
A song with chorus by Margaret Lily, inspired by one of Drumph’s most ambiguous statements. Whatever could it mean?
Teresias as a woman led by youth.
The Orobouros and the Alt Right
In the tradition, this unitary awareness is the beginning of the great work. But in Evola’s dark, elitist, and apocalyptic elaboration, this work is a cyclic process that, after ages of decline brought about by egalitarianism, multi-culturalism, and democratic “leveling,” heralds the triumphant return of the golden age. He views history as a cycle of degeneration and regeneration which turns in a series toward its ultimate realization in the re-establishment of a hyper-masculine, solar king which dawns only after violent revolution upsets the status quo. The losers swept up in this upheaval are expendable, and quaint notions like charity, love, and compassion are jettisoned for the profits of a corporate elite. Evola may have attained some degree of genuine insight into the spiritual truth expressed by the Orobouros, as well as to how that essential unity is not obstructed by its infinite manifestations (dharmas) in the field of space and time. Evola studied the Pali cannon of the Hinayana (lesser vehicle) Buddhism, which focuses on self liberation from the cycles of existence (Samsara.) In contrast, the Mahayana (greater vehicle) stressed the cultivation of loving kindness as not only ethical, but the means by which we awaken to the ultimate truth of essential unity even while working to aleviate suffering in the relative world of Samsara.
As long as we have not realized that the mode of being of our mind resides in the union of relative truth and absolute truth—a realization that corresponds to awakening—these two truths are seen as separate instead of being seen in their original unity.