Posted in Art, Bird poop augury, collage, libretto, opera, poetry, Songs

The Entombment of Drumph–Storyboard continued. Malignia’s lament echoes over the Bedminster Cemetary, haunting the gravedigger’s toil. Manuel sings of the old days when the tremendous tomb of Drumph was being raised high above the 18th green, and the townsfolk grieved under the oppressors yoke to produce the ultimate reality show–Death. But who can emerge unscathed from the Plutonic realm?

Posted in Art, Bird poop augury, opera, poetry, politics

Is bird augury really fake news?

Drumph is building a tremendous crypt above the 18th green at his Bedminster Golf course with financing from Russian oligarchs. He calls a meeting where the Saudis express interest in exclusive burial plots. The tremendous Drumph Tomb is shown–bottom left–to the assembly. But Tiresias enters to proclaim disquieting omens regarding the end of the ancient Drumph line.

Posted in Art, Bird poop augury, opera, poetry, politics, Stage set design

Storyboard for an Opera–the Damnation of Drumph

Setting–the world between worlds.

Time–the crossroads of time and eternity.

The Drumph organization deals in exclusive, New Jersey burial plots–which, in reality, are a front to launder rubles into the campaign. It’s a win/win for Vlad and Drumph, as the remains of Russian dissidents can thereby be processed for proper internment–as is proscribed by all that is just and holy. But Tiresias enters–stage left–bearing omens of doom. He foretells the fated fall of Drumph.

Watch for next episode–Malignia’s lament for the old country.