Trying to figure out how to post audio. Here’s a song written by Gordon Bok. Played on my Saxon lyre.
Act 3, scene 1–Bedminster Cemetary, the Bardo of hungry ghosts. Demeter emerges from the woods at the base of a rocky hill to challenge Drumph.
Dem: Who dares violate the dark Goddess’s sanctum?
Drumph: This place has tremendous potential. Only the best people will come to my Ultimate Death theme park.
Chorus: All will come to the awesomely, spectacular, incredible Death.
Drumph: Malignia’s friend, Winston, can do the decor. Real class.
Chorus: Doom golden doom awaits the discriminting dead.
Drumph is building a tremendous crypt above the 18th green at his Bedminster Golf course with financing from Russian oligarchs. He calls a meeting where the Saudis express interest in exclusive burial plots. The tremendous Drumph Tomb is shown–bottom left–to the assembly. But Tiresias enters to proclaim disquieting omens regarding the end of the ancient Drumph line.
A song with chorus by Margaret Lily, inspired by one of Drumph’s most ambiguous statements. Whatever could it mean?
Setting–the world between worlds.
Time–the crossroads of time and eternity.
The Drumph organization deals in exclusive, New Jersey burial plots–which, in reality, are a front to launder rubles into the campaign. It’s a win/win for Vlad and Drumph, as the remains of Russian dissidents can thereby be processed for proper internment–as is proscribed by all that is just and holy. But Tiresias enters–stage left–bearing omens of doom. He foretells the fated fall of Drumph.
Watch for next episode–Malignia’s lament for the old country.
Work on the libretto is proceeding by fits and starts. I must bear in mind the admonition of all great composers: Concision is key.