Posted in Euphrates Voyage

At Nebuchadnezzar’s Quay

The Samamaris was making frightful leeway as we rounded the bend towards our moorings at Nebuchadnezzar’s quay. But it lightened somewhat on our approach and Captain McWhirr eased her up as if it were a Sunday family cruise. The storm, fierce as it had been, died down as quickly as it had risen.

“Make off the bowline to the second bollard Mister Spencer.”

“Easy now professor.”

After making fast and shutting down the boiler, we jumped ashore for a look around. It was an ancient mound—or tell—that slowly sloped down into the depths of the river to form the quay. The lower strata was made of baked mud bricks coated with bitumen, some of which were stamped with the seal of Nebuchadnezzar himself. To the Northwest, the mound rose high against the hot afternoon sun. An Arab Shepard stood gazing down at this apparition of a stern-wheel steamer with a wheelhouse that sat on her deck like a little hat on a frumpy British dowager.

Soon, a short guy in a white suit and pith helmet walked up and made an obsequious bow.

“I am Joesph Cairo of the customs office. Would you be the Captain of the steamer Samaramis?”

“I would.”

“The customs office has impounded your vessel due to a minor technical matter regarding…”

“Bakshish?” interrupted McWhirr.

“I wouldn’t put it so indelicately. But there are certain processing costs incurred by the Museum trustees sponsoring this worthy effort to preserve our priceless treasures for the future edification and enrichment of both of our great nations.“

“For the enrichment of somebody anyway.”

Cairo smiled placidly: “I heard you were a man of few but laconic words, Captain McWhirr. Shall we go to my office? It’s just up the promenade.”

McWhirr is well accustomed to Cairo’s ilk. Recent digs and spectacular finds have brought out sleazy shysters to exploit the ignorance of scholars and archeologists. Especially vulnerable to such scams are the rapture tourists, who seek affirmation of scripture by marking the river’s depths, which— as is prophesied in the Book of Revelations—will dry up as a sign of the end times. The chandler in Bagdad enjoys a brisk trade selling sounding gear to these New Age fundamentalists. But these days, all that’s needed is a pool cue, so they may have a point after all. An inch drop will have them speaking in tongues, talking to lizards and enthralled by the thought of total annihilation of a third of humankind. But we were concerned with more prosaic matters regarding the water’s depth. A blow like we had earlier could drive our shallow draft vessel sideways onto the bank, prey to bandits who roam this desert with impunity.

But events that were to unfold cast a new light on the prophesied end-times, and gave us—if not eternal salvation—a hard-won appreciation for the convoluted twists of fate.

We walked up the towpath—or “promenade” as Cairo so generously called it—and came to the customs house. It was no more than a shack of mud brick and bundles of reeds. A guy in a green visor and sleeve garters sat next to a fake banana plant contemplating a calendar. This month’s model was Theda Bara tricked out as the Goddess of the Underworld. Those dark eyes followed me around the shack; eyes that can go from abject terror to ecstatic elation without so much as a smoke break between takes. We paid the gentlemen who were, after all, only playing their parts in the perpetual exchange of vice and virtue; where everything evens out in the end—more or less.

Later, as I lay on the pilot house bunk listening to the eerie keening of jackels far into the night, I could hear the professor intone:

“He set sail; the father set sail,

Enkei the God of Wisdom set sail for the underworld

……the waters of the sea devoured the bow of his boat like wolves.

The waters of the sea struck the stern like lions.”

I flowed downriver. The bleak boatman had abandoned his tiller, leaving me adrift. But I escaped shipwreck and the scene suddenly changed. I gazed into the blue eyes of the glittering goddess. We embraced and kissed. It was a sweet soul kiss that I could still taste when I woke to McWhirr’s hail.

“All hands on deck!”

McWhirr runs a tight ship, even if it is a mode of propulsion he thinks unseemly for a man of working sail.

O. Handy Bey—Director of the Imperial Ottoman Museum, 1888 CE
Posted in poetry, Uncategorized

Occident II—-a family history

Elongated tars loomed above us. Sherryl, Slim and me played in the sandbox directly under the movie screen. Dad had piled the family into the station wagon to see Moby Dick in 1956. Spars and blocks creaked with the ground swell. Ahab’s wooden leg thumped up the companionway before  he turned to glower over the taffrail, compass in hand as though he’d forgotten it was there. He’s the very image of Saturn, that lugubrious old coot who circumscribes the weary world.

    It was then I first heard the call, a faint echo in the Lydian mode.

And I hear it still, an aging live aboard long in memories and short on time; adrift in a tide race when I could be chilling before the latest remake of the same old sea story, grog in hand. But my mind must ever hie with the kelp’s sinuous curves into deeper soundings West.

Twenty years later I was an ex-con and Laguna Beach body surfer, turning and turning in the barreling beach break, arms outstretched as if in prayer.

 My father turned mystical after Slim slipped LSD into his coffee in 1970 because he could no longer watch Dad physically abuse  Mom when he raged at his lot; on swing shift at an LA chemical plant. After that dose, Dad really softened and began to heed Edgar Cayce’s prophesies about the darkening of the sun and the shifting of the poles–which I imagine are connected somehow.

That’s when I first read the Aeneid. 

Twenty years on, Dad from his wheelchair on the Laguna cliffs, held lookout for whale-spouts on the sun burnished horizon; vexed by demons in his frontal lobe. It was as though we’d switched roles.  I took charge and held a garage sale to clear the place for sale. Like an archaeologist, I dusted off old family relics with a wisk broom that came from our earliest years. Then, in a dream, I found a a copy of the Aeneid under a laurel-shaded altar of plywood at my own yard sale.

I see Aeneas carry his father on his shoulders from burning Troy as his father carries the household gods. I see him descend to Hades to ask his father’s shade the way.

 Sherryl has since passed away. Slim still digs Miles Davis’s Lydian groove and I am left to tell the tale. I was but a boy who saw the hollow face of Saturn on a drive-in movie screen. Just as now, he’s rough-hewn in the rocky cliff as my boat bears away from the foreshore. He limps his sluggish round while, back home, the laurel tree’s shadow circles over the household gods, ever counter to the golden sun.

Posted in Art, Musings, Uncategorized

The Alchemy of Bird Poop

The real mystery does not behave mysteriously, but speaks a secret language.

                                                                       –Carl Gustav Jung20160919_101939.jpg

Bird poop is the Prima Materia of the opus, the alpha and omega of the great work of the philosophers.  Transmuted and transfigured by the alchemical fire in the sealed retort of the adepts, the excretions of our winged brethren reveal the grand pageant of creation on the microcosmic scale.  I shall endeavor to elucidate the arcana of avian excrement and thereby elevate my humble office of brush bearer to that of high art; to seek amid the white glyphs that adorn the docks a sign that might illuminate secrets of a hidden world.20160504_183526

 

Bird poop is the mother of all elements, without beginning, existent from all eternity and mixed with the handful of primal earth Adam brought forth from Eden.  It is found always and everywhere.  It contains the Divine presence in the obdurate whiteness of its adamantine– and often goopy–reality.  It is both the beginning and end of the great work, the primal ooze from which the aspirant takes flight into the rarefied spheres of heavenly gnossis.

This post is the first in a series logging my daily circumambulation, bearing the broom of my high office.  The broom is the emblem of adepts, the standard of those who seek the philosopher’s stone among the crustacean beasties that reign over the intertidal zone.

Posted in Poulsbo, Seal log

The Selkies of Dogfish Bay

Last June I had the good fortune to land a job at at the Dogfish Bay Marina.  Aside from sweeping the docks, parking lot and the endless chores, I found myself cast in the role of a sort of ambassador between the human and the pinniped populations.  I experienced the trauma of a seal pup, abandoned by it’s mother, slowly die from starvation.

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Mother helping her pup onto haulout logs.

 

Seals must get a firm scent at birth in order to establish contact.  Immediately after birth, the mother clasps her newborn by the nape of the neck in order to get the scent.  If this process is interrupted, the mother fails to establish the link which allows her to “recognize” her pup.  Through the interference of a well-meaning child, this process was interrupted, and the mother let her offspring starve.  After the poor pup’s demise, she haunted the dock near where her pup had hauled out on the low swim-step of a speedboat; her eyes streaming with tears.

 

For ages, seals have emanated an aura of magic. In the Celtic stories of the Selkies, a hunter, on a quest for worldly riches, is summoned into the depths by a shape-shifting, seal messenger of Lachlann’s undersea Kingdom.  After a lengthy stay, the hero returns to terra firma transformed by his experience–a wiser, more compassionate being.  His cruel, rapacious heart is softened by his ordeal and he emerges a changed man; one who has seen the depths of profound reality below the selfish preoccupations with material gain. Such a visitation by the Selkie heralds an epiphany– an awareness of our deep relatedness with all creation.

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Komokwa–Chief of the undersea Kingdom and master and protector of seals

 

Among Northwest tribes, seal people played a role as emissary of their guardian King, Komokwa, in the winter Tseteka–shaman–dances where supernatural beings came from the spirit world to initiate the young into the dancing societies.  A seal conducted the novice into the submarine world where, after a period of fasting and prayer, he returned to the tribe in a canoe laden with a wealth of copper, to found a new lineage which was then honored in the dancing houses.20160317_201531

By day, the lumbering hulks of seals lounge on the docks.  One night, I saw a flash of green phosphorescence as the seals sped below the surface of Dogfish Bay.  These mercurial denizens of the deep bridge the yawning divide between the conscious and unconscious energies, and guide the seeker into timeless mysteries where shadowy beings lie below the reflective surface of the sea.  Their uncanny visitations shake up our smug assumptions of human supremacy and herald a new awareness based in feeling, compassion, and illumined by the transfiguring light of dreams.

This is my first post telling of my experience as pinniped ambassador, documenting scientific observation, and evoking the mythology of seals.  I hope my blog is informative as well as therapeutic.  After the traumatic death of Bobby last Summer, I wish to be better prepared to deal with all the many, tragi-comic aspects of the birthing season.

Posted in Uncategorized

Old Hand’s Indonesian Voyage 1–A reblog of an earlier post

wpid-2014-12-08-14.04.04.jpg.jpeg“Ashadu-an-la…”
Came the loud scratchy blare of loudspeakers over the still anchorage.
“Ilaha illa allah…”
I rose disgruntled and ascended the companionway to see McWhirr standing on deck, still in his black watch coat despite the fast-
rising heat.  His normally stark, grim profile appeared transformed by the dawn light with an aura of rapturous praise.
Not wanting to disturb his meditations, I returned below and put on a pot of joseph.

After a harrowing passage through
the Sunda Strait, we’d anchored in the Sunda Kelapa harbour the night before under the tall spires of north Jakarta.  I’d had a fitful sleep, and the portentous imagery of my dreams had been confounded by a blasted, bleeping racket that still echoed over the calm anchorage.  Turns out we’d brought up just off the Ancol Theme Park.
McWhirr came below.  I handed him a cup and ventured:
“Captain, why have we sailed into this steaming latitude?”
For indeed, it was cruel muggy and a pall of charcoal gray hung over the city.
McWhirr lit his pipe and said:
“I was but a green swab surfing the long fetch of the seven cyber-seas when I first heard of the East Indies.  That was a simpler time, when a single multinational corporation called the IndiaRubber.com ruled the whole archipelago.  Now it’s dog eat dog, with upstart pirates trying to challenge the Dutch spice monopoly and their quasi-governmental powers by fair means or foul.”
“But take care son,” he said darkly, “one word from the Dutch, colonial CEO and we could be standing before a firing squad before you can say: Garcia Lorca.”

Posted in Books I love

An account of the In-Between

How I came to follow the mystic path of Sufism demands an allusive prose that, I hope, remains faithful to the spirit of initiatory Gnosis at the heartfelt core of all faiths.

Some 20 years ago I come across the book, Alone with the Alone, creative imagination in the Sufism of Ibn Arabi by Henry Corbin.  At first, this convoluted explication of a particularly arcane branch of Islamic Sufism was way over my head.  Yet this book-and a powerful dream that was inspired by my first encounter with it-has since established a steady waypoint by which my spiritual life has been oriented.  It has opened vistas onto a world of  secret symbols whose meaning continue to elude, perplex and inspire me.

There is a realm, Corbin says, that lies between sense perception and the rarified sphere of pure spiritual essence.  This is where divine revelation takes place.  Those whose inner vision opens into the intermediate world (alam-al- mithal) are given the insight that liberates from the rigid strictures of dogma.  This perception–whose channel is the active imagination–requires we forsake the learned myopia of scientific materialists who accord “reality” only to those objects of sense, reason and measurable data.

In the dream, I was flying through black space, turning with outstretched arms and singing the Basmallah: Bism’allah er Rahman er Raheem [we begin in the name of the One who is all Mercy and Compassion.]  I’d learned this beautiful verse–which opens each sura of the Koran–some 20 years earlier at a gathering of the Dances of Universal Peace.  It had only returned to me again in this dream.
All was still dark when I felt myself land on solid, dream ground.  I heard a voice-over wryly proclaim: “it’s amazing what you can do with special effects” –I am heartened to know that spirits in the Sufi bardo maintain a sense of humor.
I was still turning and singing the Basmalah when I opened my eyes to find I was in the center of a large circle of men, women and children.  The men were bearded and wore turbans with long robes.  As it seemed presumptuous to occupy the center, I joined the others on the circumference of the circle.
A lively chant was taken up and I was led into a mad dance, side-steping 3 paces to thee right and shouting the word, “Kupt, Kupt, Kupt.”  We then took 3 steps toward the center singing: “Pisht, pisht, pisht.”  All were caught up in the ecstatic spirit of the dance.   It was an unaccompanied, non-melodic chant that filled the place with electric energy.  Children laughed as they were swept along in the frenzied tempo.  My dream body was being wrenched by my zealous neighbor whose left arm tightly held my neck.  Overcome, I retired outside of the circle and woke with a sudden “pop.”  My dream bubble had suddenly burst.
After long pondering the two, obscure words–those cyphers whose import I had only dimly glimpsed all those years ago–it is always to the original, immediate apprehension of their sense that I return.
In a Turkish\English dictionary I found the word Kupt, which means vault of Heaven, [shouting loud enough to bring down the heavens.]  The only definition for pisht I discovered was: an area marked on the ground for some sport or dance.
After long contemplation, I can only allude to the true sense of these words by images and feelings that relate to  our capacity for theopathy–to know God in a form that corresponds with our innermost being.  It is a timelss dance of ritual remembrance, an act of co-compassion between center and circumference, and a moving rite of worship that establishes a sympathetic bond between God and man.

I will return to this theme next post.  This brief account can hardly begin to plumb the depths of theophanic mystery.  I claim no special ability to navigate the intermediate world.  I believe all, if we really pay attention, have the ability for angelic perception; all have the capacity for revelatory experience.