Posted in Euphrates Voyage, Saturnius McWhirr stories

Mesopotamia Voyage 3–Osman

“What is the greatest virtue a steam man may have to best fulfill his role?“ The Professor was already going strong before my foot touched the last wrung of the companionway ladder into the engine room.

“I don’t know.”

“A steam man’s greatest virtue is reason and moderation”

“I’m no wiz at math, but that sounds like two virtues to me.”

Budge, unhearing, went on:

“The three essential elements of the steam man’s art is fire, water and air. Only the most equitable balance between them ensures safe operation; and therefore an auspicious outcome to our common endeavor. And what is our common endeavor?”

“To not be blown to smitherines?”

“Yes, for one. And our number one priority.” He went to his blackboard and drew a pyramid.

“The harmonious disposition of the three elements, fire, water and air, is essential for a well-ordered steam engine. These three elements form an equilateral triangle with air at the apex. The dynamic between them produces the miraculous, fourth element, steam.” At the last word, he hit the blackboard so hard the chalk broke. “What would you say is an analogous model in other aspects of life?”

“You have me there Mister Budge.”

“A corresponding relationship exists in the three parts of the human soul: the calculating nature, the spirited nature, and the grasping nature—appetite. Just as the equitable disposition of air, Fire and Water creates the conditions to fuel our ship, so the harmonious accord of the three parts of soul; each doing their part in the appropriate measure and time, ensures the success of our collective enterprise. But it’s essential that all parts be ruled over by the faculty of reason. Disequilibrium among the parts—or elements—would spell disaster.” Here he erased the triangle with a dramatic flourish.

“Mister Spencer, report topside. We are approaching the station. Prepare to take on a passenger.”

I went into the wheelhouse as we neared the wharf. McWhirr said: “He’s a big shot named Osman Hamdi Bey, director of the Imperial Ottoman Museum. Word is, he’s been a royal pain in the arse in getting authorization for the Dig at Nippur—a real stickler for rules. His reputation for obstinacy is well known to the trustees back in Pennsylvania. There’s rumors about an article he wrote to help his buddy and patron, Midhat Pasha, whitewash the Bulgarian Massacre. He probably wants to check us out to make sure we don’t steal the loot.”

I could hear the revulsion in McWhirr’s voice. There’s nothing he abhors more than man’s inhumanity to man. The massacre was a horrible war crime and had liberals in England all worked up; calling for revocation of British support for the Ottoman Empire. But Osman’s spectacular finds in Syria—and securing them for the Ottoman Imperial Museum—had made him famous. It had also made him anathema to the covetous British Museum officials who were incensed that the treasures should be held in the “barbarous” hands of the Turks. So who is to say what was really behind the outrage at Osman’s alleged role as apologist for brutal treatment of the April Revolutionaries by the Ottoman army?

The landing was covered by an absurdly large pile of luggage attended by two Arab porters. Then a tall, lanky guy in a fez walked slowly up the gangplank with the dignified gate of man of affairs. For all his reputation, he wasn’t much to look at. But he was a real professor, not some bargain, boiler room philosopher like our engineer, Thaddeus Budge.

Osman’s effects were loaded by the porters who, as it turned out, were personal assistants accompanying him aboard for the trip to Nippur. They quickly spread their mats under a striped tarpaulin on the foredeck and set to making coffee over a charcoal stove.

“Welcome aboard, Mister Bey.”

“Thank you, but your kind greeting is redundant. Bey actually means “mister.” Nonetheless, it’s a pleasure to finally meet Saturnius McWhirr. I was pleased to hear that the most august, Pennsylvania Museum board has hired you to ensure the safe transport of our precious antiquities.”

“Your fame precedes you as well, sir. But where, if I may be so bold to ask, are we to stow all your gear? Or should we just chuck it all overboard now in the interests of expediency?”

Osman’s eyes glared from behind his prince Nez glasses. Thus began the strange, unlikely relationship of the two most remarkable men I’ve ever known.

Posted in Art, Musings, Uncategorized

The Alchemy of Bird Poop

The real mystery does not behave mysteriously, but speaks a secret language.

                                                                       –Carl Gustav Jung20160919_101939.jpg

Bird poop is the Prima Materia of the opus, the alpha and omega of the great work of the philosophers.  Transmuted and transfigured by the alchemical fire in the sealed retort of the adepts, the excretions of our winged brethren reveal the grand pageant of creation on the microcosmic scale.  I shall endeavor to elucidate the arcana of avian excrement and thereby elevate my humble office of brush bearer to that of high art; to seek amid the white glyphs that adorn the docks a sign that might illuminate secrets of a hidden world.20160504_183526

 

Bird poop is the mother of all elements, without beginning, existent from all eternity and mixed with the handful of primal earth Adam brought forth from Eden.  It is found always and everywhere.  It contains the Divine presence in the obdurate whiteness of its adamantine– and often goopy–reality.  It is both the beginning and end of the great work, the primal ooze from which the aspirant takes flight into the rarefied spheres of heavenly gnossis.

This post is the first in a series logging my daily circumambulation, bearing the broom of my high office.  The broom is the emblem of adepts, the standard of those who seek the philosopher’s stone among the crustacean beasties that reign over the intertidal zone.

Posted in Poulsbo, Seal log

The Selkies of Dogfish Bay

Last June I had the good fortune to land a job at at the Dogfish Bay Marina.  Aside from sweeping the docks, parking lot and the endless chores, I found myself cast in the role of a sort of ambassador between the human and the pinniped populations.  I experienced the trauma of a seal pup, abandoned by it’s mother, slowly die from starvation.

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Mother helping her pup onto haulout logs.

 

Seals must get a firm scent at birth in order to establish contact.  Immediately after birth, the mother clasps her newborn by the nape of the neck in order to get the scent.  If this process is interrupted, the mother fails to establish the link which allows her to “recognize” her pup.  Through the interference of a well-meaning child, this process was interrupted, and the mother let her offspring starve.  After the poor pup’s demise, she haunted the dock near where her pup had hauled out on the low swim-step of a speedboat; her eyes streaming with tears.

 

For ages, seals have emanated an aura of magic. In the Celtic stories of the Selkies, a hunter, on a quest for worldly riches, is summoned into the depths by a shape-shifting, seal messenger of Lachlann’s undersea Kingdom.  After a lengthy stay, the hero returns to terra firma transformed by his experience–a wiser, more compassionate being.  His cruel, rapacious heart is softened by his ordeal and he emerges a changed man; one who has seen the depths of profound reality below the selfish preoccupations with material gain. Such a visitation by the Selkie heralds an epiphany– an awareness of our deep relatedness with all creation.

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Komokwa–Chief of the undersea Kingdom and master and protector of seals

 

Among Northwest tribes, seal people played a role as emissary of their guardian King, Komokwa, in the winter Tseteka–shaman–dances where supernatural beings came from the spirit world to initiate the young into the dancing societies.  A seal conducted the novice into the submarine world where, after a period of fasting and prayer, he returned to the tribe in a canoe laden with a wealth of copper, to found a new lineage which was then honored in the dancing houses.20160317_201531

By day, the lumbering hulks of seals lounge on the docks.  One night, I saw a flash of green phosphorescence as the seals sped below the surface of Dogfish Bay.  These mercurial denizens of the deep bridge the yawning divide between the conscious and unconscious energies, and guide the seeker into timeless mysteries where shadowy beings lie below the reflective surface of the sea.  Their uncanny visitations shake up our smug assumptions of human supremacy and herald a new awareness based in feeling, compassion, and illumined by the transfiguring light of dreams.

This is my first post telling of my experience as pinniped ambassador, documenting scientific observation, and evoking the mythology of seals.  I hope my blog is informative as well as therapeutic.  After the traumatic death of Bobby last Summer, I wish to be better prepared to deal with all the many, tragi-comic aspects of the birthing season.

Posted in Art, Musings, Paintings in Progress

Tales of the Tot Lot part 1

The long history of the Tot Lot demands an uncommon level of attention and patience; I hope my good readers might bear with this convoluted tale about a tiny children’s playground in the heart of Whimsical Winslow.

The Tot Lot tale extends as far back as 1997, when Randy Varga sold the property to the City  with a “Declaration of Covenants, Restrictions and reciprocal Easements” which specified the property be preserved as a park.  He also called  for the preservation of a lovely art studio which I occupied rent-free as an artist-in-residence and caretaker–though my caretaking often fell short with all the demands of creating art.

 It was a time when our last elected Mayor held a prominent position on the Kitsap Regional Coordinating Council– though that detail is perhaps merely coincidental–after all, my significant other says I watch too many detective movies, and such things are only natural with all the demands of leadership and the equivocal nature of the greater good.

 Despite the prohibitions clearly spelled out in the Declarations, outcry of concerned citizens, several emails citing restrictions, heated Parks Board meetings, and a front page article in the Kitsap Sun, the studio was destroyed in 2011, just two years after it was transferred to the good, art-promoting BIMPRD–or whatever they’re called.

In February of last year, a land swap was proposed where the playground would be traded for a lot half its size on the corner of the island’s busiest intersections.  Well, you can imagine the outcry of local, island mothers over that scenario.

 Truth is, a big money developer had bought two properties adjacent the Tot Lot and wanted to realize a tidy profit by consolidation, and create a greater Wyatt Cottages.  Problem is, this is a greater good that mainly benefits said developer. .

So get this, the developer and Parks sign on as co-applicants to the Design Review Board for this swap which would grease the skids for this big money project on the homestead of Winslow’s founding father, Reilly Hoskinson, who settled it God knows when.  They fill out a legal form declaring there are no impediments to this swap, though–because of the brouhaha less than 5 years before–they obviously knew of the 1997 restrictions.

 So I give Val Tollefson a copy of the restrictions and the Council halts the swap, reminding Parks of their obligation to honor terms of the transfer.

To be continued…

Posted in Books I love

An account of the In-Between

How I came to follow the mystic path of Sufism demands an allusive prose that, I hope, remains faithful to the spirit of initiatory Gnosis at the heartfelt core of all faiths.

Some 20 years ago I come across the book, Alone with the Alone, creative imagination in the Sufism of Ibn Arabi by Henry Corbin.  At first, this convoluted explication of a particularly arcane branch of Islamic Sufism was way over my head.  Yet this book-and a powerful dream that was inspired by my first encounter with it-has since established a steady waypoint by which my spiritual life has been oriented.  It has opened vistas onto a world of  secret symbols whose meaning continue to elude, perplex and inspire me.

There is a realm, Corbin says, that lies between sense perception and the rarified sphere of pure spiritual essence.  This is where divine revelation takes place.  Those whose inner vision opens into the intermediate world (alam-al- mithal) are given the insight that liberates from the rigid strictures of dogma.  This perception–whose channel is the active imagination–requires we forsake the learned myopia of scientific materialists who accord “reality” only to those objects of sense, reason and measurable data.

In the dream, I was flying through black space, turning with outstretched arms and singing the Basmallah: Bism’allah er Rahman er Raheem [we begin in the name of the One who is all Mercy and Compassion.]  I’d learned this beautiful verse–which opens each sura of the Koran–some 20 years earlier at a gathering of the Dances of Universal Peace.  It had only returned to me again in this dream.
All was still dark when I felt myself land on solid, dream ground.  I heard a voice-over wryly proclaim: “it’s amazing what you can do with special effects” –I am heartened to know that spirits in the Sufi bardo maintain a sense of humor.
I was still turning and singing the Basmalah when I opened my eyes to find I was in the center of a large circle of men, women and children.  The men were bearded and wore turbans with long robes.  As it seemed presumptuous to occupy the center, I joined the others on the circumference of the circle.
A lively chant was taken up and I was led into a mad dance, side-steping 3 paces to thee right and shouting the word, “Kupt, Kupt, Kupt.”  We then took 3 steps toward the center singing: “Pisht, pisht, pisht.”  All were caught up in the ecstatic spirit of the dance.   It was an unaccompanied, non-melodic chant that filled the place with electric energy.  Children laughed as they were swept along in the frenzied tempo.  My dream body was being wrenched by my zealous neighbor whose left arm tightly held my neck.  Overcome, I retired outside of the circle and woke with a sudden “pop.”  My dream bubble had suddenly burst.
After long pondering the two, obscure words–those cyphers whose import I had only dimly glimpsed all those years ago–it is always to the original, immediate apprehension of their sense that I return.
In a Turkish\English dictionary I found the word Kupt, which means vault of Heaven, [shouting loud enough to bring down the heavens.]  The only definition for pisht I discovered was: an area marked on the ground for some sport or dance.
After long contemplation, I can only allude to the true sense of these words by images and feelings that relate to  our capacity for theopathy–to know God in a form that corresponds with our innermost being.  It is a timelss dance of ritual remembrance, an act of co-compassion between center and circumference, and a moving rite of worship that establishes a sympathetic bond between God and man.

I will return to this theme next post.  This brief account can hardly begin to plumb the depths of theophanic mystery.  I claim no special ability to navigate the intermediate world.  I believe all, if we really pay attention, have the ability for angelic perception; all have the capacity for revelatory experience.