Posted in Paintings in Progress

Last touch up for April art exhibit

sufi shrine
Sufi Shrine

Here are some paintings I’ve been finishing for my art exhibit this month.  I’ve been too busy getting them ready to find time for a blog post.

The Sufi Shrine has been a real challange, but I believe I pulled it out at the last minute.

DSC01895
Sleeping Poet by Craig Spencer

The Sleeping Poet (not sure of title) has a long history as well.  It was inspired by a medieval poem called the Pearl-a pious allegory where the poet falls into a dream by a beautiful river bank.  I’m not usually into allegory-especially pious ones-but something about this story has grabbed me ever since reading it (and memorizing some) 20 years ago.

DSC01918
Square Rigger
inferno2
The Inferno

The Square Rigger is my latest,  unfinished painting.  It evokes an earlier time of Port Madison history.  She emerges from the sunset mists  like a ghostly presence.

Here is my version of Dante’s Inferno.  I’ve been listening to a recording of the Divine Comedy while getting ready for this show.

Posted in Paintings in Progress

Putting it all together

standing stones-red

I’ve been cloistered in the studio, getting ready for my April art exhibit.  Its been a challenge to bring all these images and colors into some coherent form.  Having an art show forces you to bring work to, as Marcel Duchamp called it, “a state of definite incompletion.”

A way to get them up on the wall is necessary.  I’m attaching hooks and wires, trying  think of titles, and bringing  some paintings back from the edge of oblivion .  To do this you sometimes you have to be radical.  Painting is a complicated business, and to narrow the focus can be, paradoxically, liberating.  After putting this painting aside for a time, I covered the whole thing with a coat of indian red.  It was the ground color I began with and I return to it in order to unify the disparate elements again.  I then used my favorite tool, the paint rag, to reveal the under lying color.  This gave everything a reddish tinge and shadows turned from cool blues and violets to warm red.

For a long time I’ve been interested in the Temenos, the enclosed, sacred space set off from worldly concerns.

The figures in this picture suggest gnomon.  This is a greek word meaning both a column on a sundial indicating time of day, as well as one who knows.  The gnomen are guardians of the spellbinding circle where we safely confront the unconscious  and undertake the magic of creative work.