Posted in Paintings in Progress

The Memory Theatre-an artwork in process

I’ve made some memory stations and begun the memory practice.  Maybe I’ll try to memorize Jerusalem (at least parts of it) by William Blake.  The organization of the space and creating the stations is not separate from the work of sketching out the composition on the canvases.  The placement and spacing are important. DSC02838memory stations 3

I imagine the paintings might take the form of a still life that opens onto a vast landscape. Blake had a vision that beheld the universe in a grain of sand, infinity in an hour and the celestial city built on the rolling green English countryside.  I want my art to share some of this all-encompassing perspective.

The fields from Islington to Marybone,

To Primrose Hill and Saint John’s Wood,

Were builded over with pillars of gold,

And there Jerusalem’s pillars stood.

I’ve found that memory practice leads to amazing experiences.  It is a way to attune to subtle influences and bring to conscious awareness the too-often suppressed messages from the unconscious.  In her brilliant book, the Art of Memory, Frances Yates quotes Cicero’s recollection of the poet Simonides, who was said to be inventor of the memory art:

…persons desiring to train this faculty (of memory) must select places and form mental images of the things they wish to remember and store those images in the places, so that the order of the places will preserve the order of the things, and the images of the things will denote the things themselves, and we shall employ the places and images respectively as a wax writing-tablet and the letters written on it.

DSC02844memory stations 9 white

Posted in Paintings in Progress

The Memory Theatre-Idea for my Febuary art exhibition

My next art show is coming up soon.  My idea is inspired by the Memory Theatre. This is an ancient mnemonic device used by actors and rhetoricians to commit long speeches to memory. The memory places are niches, or altars that contain imagery (the more outlandish the better) that facilitate recollection of the text. In ancient times, these features were incorporated into the design of theatres.

My idea is to make this part of the process of creating the work for my show. I’ll start with the basics: clean up my studio and create a series of 10 altars which I will decorate with whatever imagery will facilitate recollection of a long poem. At the same time I’ll prepare 10 canvases which will correspond with each of the memory stations. These paintings will comprise the exhibit.

I haven’t decided on a poem yet but maybe one of William Blake’s medium-length works will serve. This memory process will be concurrent with the creation of 10 paintings inspired by each of the memory stations.  The art show’s theme will be continuous with the theme of the poem.

The whole process from straightening out the studio to “completion” of the paintings will be documented in this blog with photos, text, video and recordings. Stay tuned.

Posted in Saturnius McWhirr stories

Old Hand’s Babyonian Voyage part 5 – The 9th Wave

“Hang on to yer hat, lad.  Looks like we’re in for a dusting.” McWhirr pointed at the darkening horizon and commanded: “Ready to man the pumps.”

“Aye, Captain.”

I scrambled aft and pulled the aged, bronze pump from the lazarette before looking up to see the immense, glassy wall looming over the masthead like the adamant finale of doomsday.

Old Hand rose up the vertical wall to its breeze-feathered crest and launched skyward with a spray of rainbow light. It was as if she sought escape from her natural element, to take her place amid the constellations as guide to unborn mariners of this tropic-this weary globe where man has long toiled on the treacherous seas.

We landed in the trough with a bone-jarring crash as the wave broke with a deafening roar astern.

Old Hand yawed like a stunned boxer shaking off a vicious right hook and steadied up, ready to meet the next one.  We mounted the second wave of the set and were again hurled down it’s backside, until I thought we might sound the very depths of the Mariana trench.

Each time McWhirr counted each wave until, after the 8th had thrown us rudely on our beam-ends, he said:  “This is it, lad-the 9th wave. Say yer prayers, this may be the end of our pleasant, little cruise.”

The sight that met my eyes as I braced against the wheelhouse was enough to make Blackbeard blanch and Ahab drop to his knees and beg for mercy.

“No, it can’t be that big,” I said, upon seeing the wave’s awesome height. It’s aspect was all the more terrible for its calm refulgence-as gleaming and resolute as an executioner’s ax. The crystalline beauty of it seemed to mock all our puny efforts to survive.

Again, we faced the interminable ascent. As it jacked up over the reef, it turned a back-lit, emerald-green hue.

Good reader, we’ve all heard how time stands still, and the imagination falls prey to odd fancies in times of extreme terror. So it was with me. I thought I saw strange shapes in that massive beast of a sea-spectral figures who swam before my eyes and vanished again like mackerel  flashing upon the wave’s face. One such apparition was dressed in a flowing white shirt and tight pants. He had the angelic look of one inspired by the muses and held, in his delicate hand, a goose-quill pen. His melodic words seemed to echo above the dismal keening of gulls that circled overhead:

…My spirit’s bark is driven,

Far from the shore, far from the trembling throng

Whose sails were never to the tempest given;

The massy earth and sphered skies are riven!

I am born darkly, fearfully afar…

 

Poetry from Adonais by Percy Bysshe Shelly

Posted in Saturnius McWhirr stories

Old Hand’s Babylonian Voyage-The Sermon

“Hey sailor, lookin’ for a good time?”

The voice hissed from the shadows. I turned to see a toothless hag in fish-net hose and leather thong clutching a length of chain in her skeletal hand.

“How ’bout I clap ye in virtual irons and tickle yer bum with me E-Lash?” she leered.  “Just like the real thing.”

“Er, no thanks,” I said and quickened my pace.

As I walked through the lurid, labyrinthine back-alleys of cyberspace, I beheld woeful scenes of hunger and vice.

It was Sunday and, as a pious man, McWhirr had given me leave to knock about on my own; hoping, for the good of my soul, I might attend the sacred service to our lord.

I passed a low dive with a weathered sign that bore the name: Bucket of Spam. The carved, cedar chisel marks suggested its date of manufacture to be (roughly) early 21th century.

Below this it said: We have WI-fi.

I could see, through the fogged window, sleazy spam-bots lit by the eerie blue glow of duck-taped lap-tops inside.  I went on.

At last, I arrived at the ancient stone church. An inscription on the facade said something about a guy named Swedenborg. Clear voices sounded through the ancient, stone walls:

By the Rivers of Babylon…”

I pushed open the heavy oak door and found a pew. The congregation fell silent.  A portly preacher in a plaid suit and brown toupee ascended the pulpit and solemnly spoke with the stentorian delivery of Orson Wells:

“And the lord spake unto Noah:  I shall make it rain for 40 days and 40 nights.”

He looked up from the good book and continued in a confiding tone: “And here shipmates, we find already deeper truths than was ever sounded by our learned interpreters of holy texts-aye it comes from the lips of the almighty Himself. And what water are we speaking of here? Is it the water that flows from the reeking taps of the Babylonian waterworks?”

“No!”  responded the pious congregation.

“Is it the water of sewers that carry Babylon’s foul waste into the vast oceans of the globe?”

At each interrogatory his voice grew urgent.

“Is it the rain that nourishes our genetically modified corn?”

“No Suh!” responded a dread-locked harpooneer.

“Is it the water which rose ever higher to make Babylon a busy, working port?”

“Make it plain!”

“No-o, it is another kind of rain of which I speak,” he warmed to his theme like a southern preacher:

“It is the flood of materialist greed which immerses ma-AN-kind in self-love and se-ELF-ish desires. He wishes ON-ly for con-firm-A-shun of his vile ways through sensory DAY-ta and the false gods of materialist SCI-ence. He EE-vun denies divine kn-OW-ledge and the possa-BIL-ity of an-GEL-ic per-CEP-SHUN.” He banged the pulpit with his meaty fist at each accented syllable. “This is the da-AY-luge that engulfs Babylon today: a flood of kn-OW-ledge that is comp-LETE-ly de-VOID of CHAR-IT-Y!”

The last words resonated with a low rumble that seemed to rise from beneath the worn flagstones of the church. The heavy arches over the altar swayed wildly and collapsed into dust with a thunderous roar. From somewhere in the distance came the mournful wail of sirens. A speaker sputtered and blared:

This is NOAA Weather Radio- Tsunami alert! Tsunami alert!

Posted in Saturnius McWhirr stories

Old Hand’s Babylonian Voyage

And it came to pass that a great swarm of splog descended upon the land and the soundcloud was darkened with idle slander and empty promises of sensual delights. Worshippers of the true faith were subjected to the false blandishments of priests and the perfidious purveyors of illusory commerce.

I squinted at the aged, musty tome in the dim light of the pub and read on:

And the once mighty creatives of the realm looked upon their followers and found naught of artistic merit and grew heavy in spirit, seeing therein ought but Jezebelian allurements by comely maids in unseemly attitudes of licentious repose.

“I’m glad I wore my sea-boots,” said McWhirr.

“Listen to this, Captain:”

And lo, the verminous swarm of splog grew apace, and the goodly scions of the realm gnashed their teeth in anguish, for their earnest, artistic efforts were devoured by the black vultures of Satan. The fat herds of the righteous became but reeking carrion for the voracious appetites of the infidels.

“What fools would steal such windy bombast anyway?” asked McWhirr.

We’d just sailed into the gaudy metropolis of Babylon, seeking refuge from the equinoctial gales. The dank pub which lay just off the pier-head served a clientele of wharf-rats and scurvy rum-bots from dilapidated bum-boats.  One smelly clutch of waisters clicked madly at their laptops, their rummy faces aglow in the in the villainous blue light. The grating chortles of these flatulent knaves reeked an atmosphere of gaseous inertia our way.

“Get this, a real Byron he thinks he is,” said a muscled hulk in a pink tutu.

“Ya really read that BS? “Asked his mate in a voice  that sounded hollow and grating-like 50 fathoms of hause-fouled chain.

I’d heard of the splog pirates, but thought them mere paranoid tales by rummy tars around the fo’c’sle stove. And now here they were, as big as life, waylaying the earnest efforts of my myself and my literary colleagues like the nefarious ship wreckers luring unwary vessels with false lights on the storm-wracked coast of Cornwall.

I continued reading:

The once proud sites of the righteous became barren wastes of vacuous splogs and brazen images of bouncing titties…

“Maybe there is something to it after all,” says McWhirr.

“Aye, Captain. And look what we have now in this rank grog-shop of the internet-a foul lot of brazen cut-throats  who’d just as soon steal your traffic as say how-do-ye-do.”

One such galoot, a skanky brigand with a striped shirt and cutlass, approached the bar next to McWhirr with the slithery movement of a wolf eel saying:

“Eh mates, stand us a pint.”

Out of the corner of my eye I saw  McWhirr take his rigging-knife from under his coat…

Posted in Old Hand's northern voyage, videos

Port Headlock

I’ve been anchored in Port Hadlock for 5 days.  Actually, after being pinned down here so long I’ve come to think of it as Port Headlock.  As soon as I start to haul in rode, a sound rises from the far north, a deep rush of sound that gives me pause, and my hand is stayed from weighing anchor.

Since the Equinox, the weather has taken a nasty turn, with savage gusts from the Austral quarter of this turbid globe cast into the swirling cosmos.  After long, night-watches, I see the gale steam the weather-glass a frenzied, vaporous scene of genesis. The glass is the vessel which holds the primordial spark and the damp, hylic goo of the Prima Materia in a seething, Hylic confluence.  The torn north hangs rain-slanted like a black curtain fallen over the final act of a Doric sea tragedy.

Like I said, it was a nasty storm with gusts to 70.  But now I pace the deck and see over the port beam, young men learning the old shipwright’s trade at the Northwest School of Wooden Boat Building.  A vessel went by that’s based on the old longboat design of Vancouver’s rowing/sailing launch and skipered by a young, pretty lass who calls from the bow with all the assurance of an old salt.  Does my heart good to see the old tradition of working sail carried on by such eager hands.

Posted in Saturnius McWhirr stories, Uncategorized

The Galvanized Emblem of McWhirr

“ Gusts up o 70 miles per hour are possible.”

The bland, melancholy voice on the NOAAH weather radio intoned the dread prophesy with all the passion of a jaded, Norwegian automaton.

Bagpipes wailed over the anchorage at sundown and the grim sight of the northern horizon almost made me cry.  Clouds billowed white over the eastern Straits while, below, the horizon fell into the blackest gloom that ever haunted the nightmares of sinful, erring tars.

I had read in The Complete Anchoring Handbook that it all comes down to the right ratio of depth to scope of anchor rode.

50 feet times 5 make 250…good enough for a Coney Island swan boat.

I went below to lie on the pilot-berth. After a few fitful gusts, the wind fell into a tentative, uneasy calm.

Let’s see, 5 to 1 in 50 feet times…

“Have you paid out enough scope, lad?”

The bass tones welled from Old Hand’s bilges as from the aged, bronzed vessel of oxidized words.

“Captain?”

The angular form of Saturnius McWhirr was faintly illumined by the oil-lamp’s amber glow.

“I cast the anchor in 8 fath…” I stammered

“Avast, Ya greenhorn! You don’t “cast” anchors. This isn’t fly-fishing! My gorge rises at such lubberly misuse of sailing language.”

His wrath, like a line-squall, subsided as rapidly as it came.

“Did you know that to raise an anchor you must first let it go?”

“That’s true, sir.”

He always makes these pithy pronouncements like they were scripture.  And, for McWhirr the act of sailing is a religious rite. He hails from Zoroastrian, Quaker stock and, for him, a ship is a vessel to carry his weary spirit ascending through the 7 concentric spheres of corporeality to the final landfall of essential being. He has seen the beatific vision reflected on the sea’s mirror, and it draws him ever northward in search of the true face of divinity behind the mask of appearance.

“Look at this arm.”

Like some cloaked tragedian in a nautical horror show, he furiously tore his sleeve to reveal the tattoo of an anchor engraved upon his sinewy fore-arm.

“I carry the fouled, cold-forged, emblem of hope engraved upon my soul.”

He leveled his eye at me as thunder rattled the wheelhouse windows.

“Have you any family, Mister Spencer?”

“Yes.”

“Do they weigh upon your heart; do you feel their woes as your very own?”

I was too unglued by his interrogatory glare to answer.

“Are you willing to set aside your pleasant, little cruise to do service if called upon?”

“I don’t know if I’d call it a pleasant cruise with this weather.” I said defensively.

“Would ya be able to leap into the maelstrom to save a foe?”

“If I had a PFD,” I answered lamely.

He fell into deep silence. His spectral image receded into the oaken bulwarks of unfathomable woe.

“Then you are no shipmate of mine,”   Said the fading echo of his baritone.

From the infinite distance came a low, thrumming tone that set halyards frapping on the mast. The sound rose steadily to a piercing shriek-as if all the denizens of hell had let loose one frenzied howl of pain.

Old Hand skewed violently in the blast.

I rose from my bunk, put on my foul weather gear and ascended the foredeck.

Let’s see 50 x 10 = 500…that’s 10 to 1…for 85% holding power…

Not bad odds.

Posted in Old Hand's northern voyage, Uncategorized

The Angel of Pole Pass

DSC02659log page pole pass

We left Jones Island with the start of the ebb on a calm, overcast morning and headed south-east toward our first way point at Steep Point on Orcas Island’s East side. I’d plotted our course through one of the San Juan Island’s most treacherous passages the day before. Our track was to take us into the middle of the labyrinthine Wasp Islands, through Harney Channel to East Sound in time for our dance. I’d cross-referenced Captain Jack’s and the Canadian Currant Atlas and, with a sharp pencil, drawn our course on the chart with the way points and estimated arrivals times.

I was actually a bit proud of my fore-sight, and hoped it might inspire in Lily a greater trust in my navigational skill. Lily had given me a T-shirt that said sharp and focused. Maybe she thought it might help.

When we reached Steep Point, the next way point appeared on the GPS screen directing us somewhere south-west into some nasty-looking rocks. Since our intended track was south-east, I knew something was wrong. Major anxiety set in.

The ebb was taking us east past a small Island to starboard, while ahead a few miles, was a small opening toward which a sailboat was motoring.

At Lily’s suggestion (she was remaining unusually calm in all this,) I followed. As we neared, the pass actually appeared smaller. A torrent of green water flowed over the jagged rocks to starboard, when suddenly I saw a woman in the cockpit of a C-Dory next to us beckoning with a reassuring look and a gentle movement of her arms.

Samuel Lewis

I’d gotten only a fleeting glimpse of her, but her radiant image will forever be etched in my memory. The waving motion with which she guided us rocked with her boat like a movements of a Sufi Zikr. It was an angelic vision guiding Old Hand’s errant crew through the twisted channels of the world toward salvation; to chasten pride of seamanship and forgetfulness of the true purpose of our voyage-of which we might lose sight while navigating the labyrinthine island passes.  Though our “navigation” of Pole Pass may have been unintentional, it reminded me of our deeper intention.

After all, we are emissaries of the Dances of Universal Peace, come to bring the message of unity as taught by Hazrat Inyat Khan and Samuel Lewis-to bring the wisdom traditions of all faiths into full body awareness through the ancient tradition of sacred dance.

Thank you bright Angel of Pole Pass. For you there shall always be an honored page in the tattered log of Old Hand.

Posted in Old Hand's northern voyage, Uncategorized

Reef-net fishing

The sky turns red/orange over the hills west of Fisherman Bay.

I row out to the narrow finger of rock that protects the entrance, to photograph the rough-hewn, skeletal remains of reef-net boats along the shore.

They say Reef-netting is one of the oldest forms of fishing. In ancient times, fishing was continuous with the sacred traditional ceremonies.  These ceremonies were held with elaborate theatrics.DSC02519reefnet 5

The simple act of fishing was performed with a cherished respect for salmon spirit that ensured their annual return. Everyday life was interwoven with the sacred like the twisted, cedar bark nets they so cunningly wrought and watched over through the centuries.

A reef-netter still floats by the western shore, its tall, stark ladder inverted upon the surface of the bay.

The water’s surface is the boundary, the imaginal space between worlds of height and depth. The sinuous patterns that shimmer over it’s surface are reflected in the curvilinear shapes of Salish art. It evokes the intermediate realm of dreams and myth; a place not found among the mystic way points of GPS. It is where the first salmon people hied up the narrow channels with the flood and into human consciousness.

On reef-netters, the watcher (in earliest times, the tribal chief) would ascend the rough, cedar ladder high above the bow and intone the quiet prayer honoring the annual return of the salmon.

While rowing in, I seem to hear an old diesel engine that drums faintly over the the inland sea like the rhythm of the universal heartbeat. Or is it the spirits of dead fishermen still drumming over the waters?

Welcome, Swimmers.

Upon seeing the salmon enter the net below, the robed and cone-hatted watcher, stark against the red sky, sings to his mates below:

Lift, lift.DSC02539reefnet bow

As one, the crew raises the net, the catch glistens in fading sunlight

Welcome, Brothers.

These old songs are sung in another place than that found on the yellowed, dog-eared charts of linear time. The primordial drama is still re-enacted upon the weathered scaffold of artifice in the winter dancing houses of ancient memory.

Posted in Old Hand's northern voyage, videos

East Sound storm

Lily hurt her foot when we docked at East Sound for our dance.  Then yesterday, a storm blew up from Southeast, blowing a good 35 knots with gusts to 40.  Old Hand took a hammering at the public dock while Lily lay below getting seasick.  But the local EMT team were there in no time to get her off the boat, up to the nearby Oddfellows Hall where we had a wonderful event despite Lily’s injury.  It was a sweet circle praying for peace in this stormy world.