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A Tale of Two Houses–a secret history of Port Madison

farnham house croppedfarnam house cropped
Farnham

The rains have let up. I scan Port Madison’s northeast shore through binoculars to see the Farnham house, built above the old mill-site, where much of Bainbridge Island’s forests were milled in the mid-19th century. The house looks the same as when Judge John Farnham leaned on his hoe under his prize apple trees.

farnham up close

He  first signed on the General Park Hill at the age of 12 and spent 3 years shipping cotton between South Carolina and Liverpool before trading in contraband silk between Shanghai and Hong Kong. He rounded the Horn in the rush of ’49 and headed north to Port Madison when  loggers, ship builders and land speculators were rapidly displacing the indigenous Suquamish people.  He commanded side-wheel steamers, worked as shipwright and, in an odd –if not downright ironic–turn of fortune, served as keeper of the Seattle Pest House.

old maan hose cropped
Old Man House

This was when the Old Man House still stood; where creation was annually sung into being in the Winter Dances. It was the lofty, cedar temenos of the Suquamish tribe that was demolished by Albion’s brass-plated cannon of imperious might in 1870.

This is was the home of Princess Angeline.

After reading Jerusalem, I’ve come to see Blake’s Gothic, sweeping poetry entwined with the shadowy firs of Port Madison.  A rummy wastrel turned Urizenic guardian of self-righteous law, Farnham  became the very image of man’s fallen spiritual state, laboring eternally in the Satanic mills, separated from his Sophianic emanation and closed to the Divine Vision.

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Princess Angeline

And I hear fair Angeline as the banished Jerusalem, still weeping over the bay for her lost and tender children.

Farnham’s end was tragic. He had begun exhibiting signs of odd behavior and was forcibly dismissed from office. He held out against the deputy sheriffs in the Port Madison courthouse (then the County seat) with a shot-gun for 3 days before being led away quietly–a man forsaken by his adamant God of Reason.

Ballasted with river rock, he boarded the Seattle ferry, planning to jump into the deep soundings off Elliot Bay. But the emergency crew fished him out and he died shortly after.

Urizen

I honor John Farnham, respect his adventuresome spirit and outrageous character; whose salty yarn and prize apples are the true golden relics of another age.

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Los’s Bright Halls-The Exhibit-an artwork in progress

exhibit 2 I finally got the art show up.  I came down with a nasty cold as the time for hanging approached, and all the work of logistics, promotion, and “finishing” the paintings became a real grind.

But we had a nice opening last night.  Many friends came showing their appreciation and support.  Thanks to all.

In my next post I hope to give a more complete account about the experience of creating these works over the past 3 months.

Lets just say for now that I came to realize I bit off far more than I could chew, though I did this deliberately–as a sort of audacious challenge to myself.

jerusalem in show
Jerusalem-painting by Craig Spencer

There always looms the possibility that the painting was better left at an earlier stage, or that the work may not bear the test of time.  At times I wondered if a painting might be veering perilously close to maudlin tripe, or the whole concept totally misguided.

But I  really don’t worry about it.  It’s best to have the courage to make a clear statement.  I think age and experience has taught me to trust the process and to carry through despite such doubts about relevance, skill level or (in this case) my understanding of Blake’s gorgeously bombastic, prophetic poem.

These blog posts have been an integral part of this exhibit’s creation.  Thanks to all who have been following and commenting.

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Vala, Temple 3, Building Golgonooza-paintings by Craig Spencer
albion in show
Albion Asleep-painting by Craig Spencer
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Los’s Bright Halls-an Artwork in Progress

mars 4
Los’s Halls-oil painting by Craig Spencer

So far, my process has been to create a setting, an environment in which to invite imagery into the 2 dimensional space of the canvas. It has been a time of preparation, and invocation. I was well along in this painting when I realized that it represented the “Sculptures of Los’s Bright Halls.” That’s how it is sometimes–it’s best to trust that inner wisdom will present guidance and direction if space is allowed.

 All things acted on Earth are seen in the bright Sculptures of

Los’s Halls, & every Age renews its powers from these works…

In all their various combinations wrought with wondrous Art…

In Blake’s mythology, Los is the fiery, artistic genius whose task is to restore Jerusalem and re-establish harmony among conflicting aspects of Albion, the Universal Man; an inner kingdom that has been usurped by the soul-denying power of reason (Urizen.) He sees soul divided into warring entities as a sign that Albion has fallen into a sleep that closes the doors of spiritual perception.

Blake writes of “Abstract thought warring against imagination,” and saw the tragic effects of Urizen’s reign in the squalor and slavery of the industrial revolution. He saw the minute particulars of the London cityscape as a theater in which was enacted the cosmic drama of spiritual redemption.

Los, caretaker of archetypal images, fluent in the language of correspondances, forges celestial links in his fiery furnace, as well as illuminates the inner, demonic specters that would banish Jerusalem forever.   Blake, long before Freud and Jung, recognized that these dark forces reside within.

 Specter of Albion! Warlike fiend!

In clouds of blood & ruin roll’d,

I here reclaim thee as my own.

My Selfhood! Satan! arm’d in gold.

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Mars-An Artwork in Progress

mars 3The paintings have each taken on planetary aspects and this one seems to be heading toward Mars.  I’ve been trying to preserve a  loose, fluid handling, but it always becomes a struggle.

It’s like meditation.  When sitting, my mind wanders into monkey territory and I need to refocus-come back to the breath, mantra or visualization.  And this is Okay.  I’ve heard it said that meditation was about shedding light into the darker corners of confusion and afflictive emotions; confronting obstacles, not avoiding them.  Something similar is being played out on canvas.

Ghostly figures emerge from pools of raw umber, terra rosa and paynes gray as if they wanted to give me tips on technique.  Maybe they want to tell me it’s all good-just chill and take up a new canvas when things get too thick.

And since these posts are a big part of this process, I’ve decided they should also be  more spontaneous-straight from the heart.  Just whip it out without worrying it too much.

At the same time, I’ve continued to grapple with Jerusalem.  I read of Los’s (poetic genius) struggles with Urizen (reasoning power) to re-establish harmony among the 4 Zoas (similar to Jung’s 4 functions) in the imaginative project of building Jerusalem.  There are are verses that, while memorizing them, beguile me with their stunning imagery and painterly use of upper case letters.  Some have all the pithy weight of a zen koan.

  In my Exchanges every Land

Shall walk, & mine in every Land,

Mutual shall build Jerusalem,

Both heart in heart & hand in hand.

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The Galvanized Emblem of McWhirr

“ Gusts up o 70 miles per hour are possible.”

The bland, melancholy voice on the NOAAH weather radio intoned the dread prophesy with all the passion of a jaded, Norwegian automaton.

Bagpipes wailed over the anchorage at sundown and the grim sight of the northern horizon almost made me cry.  Clouds billowed white over the eastern Straits while, below, the horizon fell into the blackest gloom that ever haunted the nightmares of sinful, erring tars.

I had read in The Complete Anchoring Handbook that it all comes down to the right ratio of depth to scope of anchor rode.

50 feet times 5 make 250…good enough for a Coney Island swan boat.

I went below to lie on the pilot-berth. After a few fitful gusts, the wind fell into a tentative, uneasy calm.

Let’s see, 5 to 1 in 50 feet times…

“Have you paid out enough scope, lad?”

The bass tones welled from Old Hand’s bilges as from the aged, bronzed vessel of oxidized words.

“Captain?”

The angular form of Saturnius McWhirr was faintly illumined by the oil-lamp’s amber glow.

“I cast the anchor in 8 fath…” I stammered

“Avast, Ya greenhorn! You don’t “cast” anchors. This isn’t fly-fishing! My gorge rises at such lubberly misuse of sailing language.”

His wrath, like a line-squall, subsided as rapidly as it came.

“Did you know that to raise an anchor you must first let it go?”

“That’s true, sir.”

He always makes these pithy pronouncements like they were scripture.  And, for McWhirr the act of sailing is a religious rite. He hails from Zoroastrian, Quaker stock and, for him, a ship is a vessel to carry his weary spirit ascending through the 7 concentric spheres of corporeality to the final landfall of essential being. He has seen the beatific vision reflected on the sea’s mirror, and it draws him ever northward in search of the true face of divinity behind the mask of appearance.

“Look at this arm.”

Like some cloaked tragedian in a nautical horror show, he furiously tore his sleeve to reveal the tattoo of an anchor engraved upon his sinewy fore-arm.

“I carry the fouled, cold-forged, emblem of hope engraved upon my soul.”

He leveled his eye at me as thunder rattled the wheelhouse windows.

“Have you any family, Mister Spencer?”

“Yes.”

“Do they weigh upon your heart; do you feel their woes as your very own?”

I was too unglued by his interrogatory glare to answer.

“Are you willing to set aside your pleasant, little cruise to do service if called upon?”

“I don’t know if I’d call it a pleasant cruise with this weather.” I said defensively.

“Would ya be able to leap into the maelstrom to save a foe?”

“If I had a PFD,” I answered lamely.

He fell into deep silence. His spectral image receded into the oaken bulwarks of unfathomable woe.

“Then you are no shipmate of mine,”   Said the fading echo of his baritone.

From the infinite distance came a low, thrumming tone that set halyards frapping on the mast. The sound rose steadily to a piercing shriek-as if all the denizens of hell had let loose one frenzied howl of pain.

Old Hand skewed violently in the blast.

I rose from my bunk, put on my foul weather gear and ascended the foredeck.

Let’s see 50 x 10 = 500…that’s 10 to 1…for 85% holding power…

Not bad odds.

Posted in Old Hand's northern voyage, Uncategorized

The Angel of Pole Pass

DSC02659log page pole pass

We left Jones Island with the start of the ebb on a calm, overcast morning and headed south-east toward our first way point at Steep Point on Orcas Island’s East side. I’d plotted our course through one of the San Juan Island’s most treacherous passages the day before. Our track was to take us into the middle of the labyrinthine Wasp Islands, through Harney Channel to East Sound in time for our dance. I’d cross-referenced Captain Jack’s and the Canadian Currant Atlas and, with a sharp pencil, drawn our course on the chart with the way points and estimated arrivals times.

I was actually a bit proud of my fore-sight, and hoped it might inspire in Lily a greater trust in my navigational skill. Lily had given me a T-shirt that said sharp and focused. Maybe she thought it might help.

When we reached Steep Point, the next way point appeared on the GPS screen directing us somewhere south-west into some nasty-looking rocks. Since our intended track was south-east, I knew something was wrong. Major anxiety set in.

The ebb was taking us east past a small Island to starboard, while ahead a few miles, was a small opening toward which a sailboat was motoring.

At Lily’s suggestion (she was remaining unusually calm in all this,) I followed. As we neared, the pass actually appeared smaller. A torrent of green water flowed over the jagged rocks to starboard, when suddenly I saw a woman in the cockpit of a C-Dory next to us beckoning with a reassuring look and a gentle movement of her arms.

Samuel Lewis

I’d gotten only a fleeting glimpse of her, but her radiant image will forever be etched in my memory. The waving motion with which she guided us rocked with her boat like a movements of a Sufi Zikr. It was an angelic vision guiding Old Hand’s errant crew through the twisted channels of the world toward salvation; to chasten pride of seamanship and forgetfulness of the true purpose of our voyage-of which we might lose sight while navigating the labyrinthine island passes.  Though our “navigation” of Pole Pass may have been unintentional, it reminded me of our deeper intention.

After all, we are emissaries of the Dances of Universal Peace, come to bring the message of unity as taught by Hazrat Inyat Khan and Samuel Lewis-to bring the wisdom traditions of all faiths into full body awareness through the ancient tradition of sacred dance.

Thank you bright Angel of Pole Pass. For you there shall always be an honored page in the tattered log of Old Hand.

Posted in Old Hand's northern voyage, Uncategorized

Reef-net fishing

The sky turns red/orange over the hills west of Fisherman Bay.

I row out to the narrow finger of rock that protects the entrance, to photograph the rough-hewn, skeletal remains of reef-net boats along the shore.

They say Reef-netting is one of the oldest forms of fishing. In ancient times, fishing was continuous with the sacred traditional ceremonies.  These ceremonies were held with elaborate theatrics.DSC02519reefnet 5

The simple act of fishing was performed with a cherished respect for salmon spirit that ensured their annual return. Everyday life was interwoven with the sacred like the twisted, cedar bark nets they so cunningly wrought and watched over through the centuries.

A reef-netter still floats by the western shore, its tall, stark ladder inverted upon the surface of the bay.

The water’s surface is the boundary, the imaginal space between worlds of height and depth. The sinuous patterns that shimmer over it’s surface are reflected in the curvilinear shapes of Salish art. It evokes the intermediate realm of dreams and myth; a place not found among the mystic way points of GPS. It is where the first salmon people hied up the narrow channels with the flood and into human consciousness.

On reef-netters, the watcher (in earliest times, the tribal chief) would ascend the rough, cedar ladder high above the bow and intone the quiet prayer honoring the annual return of the salmon.

While rowing in, I seem to hear an old diesel engine that drums faintly over the the inland sea like the rhythm of the universal heartbeat. Or is it the spirits of dead fishermen still drumming over the waters?

Welcome, Swimmers.

Upon seeing the salmon enter the net below, the robed and cone-hatted watcher, stark against the red sky, sings to his mates below:

Lift, lift.DSC02539reefnet bow

As one, the crew raises the net, the catch glistens in fading sunlight

Welcome, Brothers.

These old songs are sung in another place than that found on the yellowed, dog-eared charts of linear time. The primordial drama is still re-enacted upon the weathered scaffold of artifice in the winter dancing houses of ancient memory.

Posted in Old Hand's northern voyage, Uncategorized

Old Hand’s voyage to the San Juans 3

Lily and I have been making flyers and organizing our September 22nd Dance of Universal Peace in East Sound, Orcas Island.  Our voyage has a direction beside that which the winds take us.

From the vantage point of the Doctor’s Office coffee shop (it was an actual doctor’s office), I watch all manner of craft and float planes enter and depart Friday Harbor.  Old Hand lies anchored in 9 fathoms off the Oceanographic laboratories on the north east shore.

We are leaving later today for either Spencer Spit or Fisherman’s Bay on the north end of Lopez Island before our event.  it’s not really our event, but  part of a tradition-a spiritual community that exists all over the world.

Here’s Lily leading a song/dance she wrote based on the Amitabha meditation.  I may have gotten a little to free with the effects, but you can maybe get the jist of it.

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Old hand’s voyage to the San Juan Islands 1

This is my post in some time.  I’ve been busy preparing for our trip north to the San Juans.

Again, our crossing of the infamous Straits was placidly uneventful.  This is fine by me as I’d rather get my adventure in other ways than getting slammed by the huge waves that can travel all the way into the eastern Strait of Juan de Fuca.  The pictures of the huge waves that can travel all the way into the eastern Strait of Juan de Fuca have struck my heart with a cold dread.  Then there’s the fog which can veil the looming menace of beasts like this bearing down on Old Hand at 18 knots.

san juans straits ship LilyLily and ship on straits

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Mute

Ever since I read this,  I can’t get this out of my head. I was thinking of commenting by painting a water color with limpid blue/violet brushstrokes and sinuous, washed out lines of charcoal.