Act 3–A tsunami engulfs Maralago’s marbled halls.
Posts Tagged With: memes
I reminded of the ancient, Chinese art of Feng Shui where, through practical as well as highly esoteric remedies, the built environment was altered in ways auspicious to health and prosperity. Mirrors were mounted on home fronts to counter the negative chi of neighbors. The neighbor then responded in kind, but with a larger mirror, and it soon escalated into all out, speculum warfare. I see something similar in the endless projections that one side of the political spectrum visits upon the other to manipulate public perception.
Milo Yiannopoulos’s ambiguous role is fabricated to appeal to opposite ends of conservative spectrum, so that both sides might then be swayed toward more extreme, alt-right views. He explained his role perfectly by saying his position with Breitbart countered the perception that the Alt Right is homophobic, and racist. He’s a shill to make their hateful rhetoric appeal to edgy progressives and third-party stooges in order to draw them into the alt-right fold. Also, since Yiannopoulos is gay, the alt-right can spin this to deflect accusations of intolerance.
The world was perplexed by 45’s recent, shrill warning about immigration when he said: “Look what’s happening in Sweden!” We are quick to cite this as just another example of his lies. Then, a few days later, riots break out in Rinkeby. The Alt Right News then posts an article proclaiming 45’s near mystical powers of prognostication.
Through the election until now, I’ve been struck by the propaganda, mendacity and maddening projection, whereby paid trolls exploit gullible viewers and draw them toward extreme positions on both the left and right.
This is not meant to cast aspersions on Thom Hartman, Bernie Sanders, Jill Stein, or the good intentions of their supporters. But I think it’s a lapse of judgement on Thom’s part. The trade-off isn’t worth it.
I’m working on memes as agitprop. Agitprop was word to describe the work of Soviet Revolutionaries like Rodchenko and Tatlin. Their posters used yellow, red, and black to emblazon the Moscow streets with angular anger and stark imagery of class struggle.