Posted in Paintings in Progress

An artwork in progress-Port Madison Reverie

Reah’s dock

Reflections of brilliant red kayaks fall vertically into the mud off Reah’s dock . The gray water stretches toward steep soundings off Jefferson Head and a fitful northerly  brightens the harbor entrance with catspaws . An ancient tug nudges a  barge off Meig’s old mill site, while the sqwak of a blue heron echoes from tall cedars veiled in ghostly fog. The fog  creates vast space by removing nearby objects beyond this present time to maroon me with only my dark thoughts. A little mystery by way of atmospheric perspective.

mill drawing
The Old Mill

Strange to think how the population of this quiet port dwarfed Seattle in the mid 19th Century, when Meig’s mill belched acrid smoke into the northwest gloom and the west shore shipyard built lumber schooners for the coast trade. Then, the steam side wheeler’s whistle sounded along these shores.  Venerable tugs like the Politkovsky, brought passengers, mail and logs to the hearty inhabitants of a thriving boomtown built with the lumber milled for distant ports. The long history of this now peaceful anchorage holds some dirty secrets- like when Meigs suddenly fired all Chinese workers or used trickery to monopolize the mosquito fleet, the main form of transport on Bainbridge Island.

I’ve taken a break from painting to work at Thatcher Farm. My art work has long tended toward abstraction (the term is used loosely since my work is figurative) and I needed connection with our ancestral earth to ground my mercurial mind. Speaking of Mercury, it seems significant that Thatcher farm was the main switchboard for Island communications for much of the 20th Century.boat house repairs and farm 007

So now I’m sending out a communique into an ever expanding cyber network where few have time for an old sailor’s questionable yarn. Among crockery shards I disinter rusty hinges for a gate that opens into another time. How many have turned this soil over the centuries, have pulled crabgrass, hacked blackberry vines into submission and bent hoe blades on this weathered rock? I till midden heaps of kitchen ware and toss rocks into a plastic bucket with a loud, dull thunk!.mill drawing2

Under golden maples that sway over the harbor entrance, a cemetery holds the remains of Port Madison’s founders. Here I came upon a stone bearing this simple elegy:

…Gallieau, 1905-2005, Lost at Sea

What an epic sea romance is encapsulated in this terse inscription!  Would that my own humble literary efforts were enlivened by such economy and expressiveness. I see Gallieau as a Conradian swab on a lumber schooner bound for Frisco after the big quake, or an ancient mariner going down for the last time off Foulweather Bluff in a squall.  May he rest in peace.


I am an artist, writer and sailor in the Pacific Northwest.

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